Blog Archives

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It seems counterintutive, but you don’t need massive amounts of RAM for video editing. This explains why the duration of your video project does not determine the hardware you need. It also explains what DOES require faster hardware.

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Topaz Video AI delivers dramatic results, with a great deal of promise for the future. It’s not cheap and not all features work well. But, for the most part, this is an outstanding tool to improve image quality. Here’s my detailed review.

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The Apple Studio Monitor is an amazing display. But, as a monitor, it has too much — and too little. This could be the perfect monitor for you – or it could be far more than you need. It’s complex. Here are my thoughts.

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If you want power to burn in a space small enough to fit on your desk and still have a desk left, the 2023 Mac mini with the M2 Pro SoC is impossible to ignore. Here are my thoughts on strengths, weaknesses and configuration.

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While accurate storage speed measurements are still elusive, here are settings you can use to improve the accuracy of AJA Speed Test Lite to check the speed of your storage.

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Topaz Photo AI almost works magic enhancing still images. Here’s a detailed review of what it does and how it works. It isn’t cheap, but the results are worth it.

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How do you know if a Mac application needs Rosetta? And, if it does, what do you do? Here are the details.

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This articles details the performance of the M2 Pro Mac mini, specifically the speed of rendering visual effects and exporting projects in Apple Final Cut Pro and Adobe Premiere Pro. 77 tests were performed and some of the answers are surprising!

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This tutorial looks at how to get the best image quality out of still images that don’t move (i.e. animate) in Final Cut Pro. You’ll find these results surprising – there’s only one key parameter that affects image quality.

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I am often asked which NLE is “better.” That question can’t be answered, except to say “It depends…” However, we CAN test render and export speeds, along with multicam streaming support using the new 2023 M2 Pro Mac mini. I did – and here are the results.

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This review specifically looks at video editing performance using Adobe Premiere Pro with the new 2023 Mac mini with an M2 Pro SoC. This concentrates on render and export speeds, along with multicam editing.

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Still photographs, slides and digital images are a common component in many video projects. In this short video Larry Jordan shows how to animate their movement, including moving on curves, in Adobe Premiere Pro.

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Still photographs, slides and digital images are a common component in many video projects. In this short video Larry Jordan shows how to use Topaz Photo AI to improve the look – and resolution – of still images.

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The new 2023 Mac mini is a powerhouse – especially when equipped with an M2 Pro SoC. In this detailed analysis, Larry Jordan looks at the performance of the M2 Mac mini specifically for use editing media in Apple Final Cut Pro.

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Since I’m now adding periodic guest posts to my website, I want to share with you the criteria I consider before I post them. Sponsored posts or links are not permitted and posts must be relevant.

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Premiere Pro is not bad at multicam editing. If you are only editing a few clips, Premiere will be fine. But, for complex projects, or where you want to customize proxy compression settings, Premiere is not the fastest or most capable choice. Here are the details.

This you won’t believe. I tested to see how many streams of 4K media Final Cut Pro can edit in a multicam clip. The answer blew me away. These are the details.

A frequent question is whether a computer has the power an editor needs. Here I look at what Adobe Premiere Pro needs for 4K multicam editing and the speeds your storage needs to support. The answer is not what you expect.

A frequent question is whether a computer has the power an editor needs. Here I look at what Apple Final Cut Pro needs for 4K multicam editing and the speeds your storage needs to support. The answer is not what you expect.

The coordinate system in Motion and Final Cut makes creating effects with multiple images simple – once you understand how it works and how to properly scale the video clips. Here’s a step-by-step tutorial that will help you understand this.

While both ProRes 422 and ProRes 4444 are much larger than the original HEVC (or H.264, for that matter), the structural design of ProRes makes it more suitable for faster editing performance, especially for multicam editing. These details illustrate the difference.

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There are people who make a living predicting the future. I am not one of them. Still, I want to share some thoughts about the future of video editing because media is about to get much more challenging.

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Motion tracking used to work really well in Premiere Pro, but, recently, something broke. In this short video tutorial, Larry Jordan shows what motion tracking is, what’s wrong with it, and provide a workaround you can use until this gets fixed.

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In this short video tutorial, Larry Jordan illustrates a relatively new feature in Premiere which can instantly simplify complex sequences without actually changing your edit. This is very cool.

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In this short video tutorial, Larry Jordan explains what speech-to-text is in Premiere, then shows how to create transcripts from your sequences using it.

Digital video no longer requires state-of-the-art hardware. We no longer need the biggest, fastest, most powerful system to get our work done. Here’s what you need to consider for a video editing system today.

Motion tracking effects has long been a feature in Premiere Pro. However, in recent versions, it no longer works reliably. Here’s an outline of the problem and a workaround.

Apple is famous for killing useful technology. For media creators, meant the death of software to create DVDs. With his livelihood at stake, Richard Osso went on a mission to find a way to continue creating DVDs for clients. This is his story.

There’s an undocumented timeline project verification and repair function built-into Apple Final Cut Pro. While you may not ever need to use this, it is good to know that it’s there. Here’s how to access it. Option-click the Clip menu …

Adding a few dozen To-Do markers to any Final Cut project won’t cause any problems. However, if you regularly import transcripts into FCP, take the time to read this thread, especially if your system seems to be slower than usual.

Masks allow us to select a portion of a video image. In this short video tutorial, Larry Jordan shows a variety of ways to use color, shape and draw masks in Apple Final Cut Pro to create visual effects or fix problems.

Multicam editing allows us to edit several camera clips at the same time. In this short video tutorial, Larry Jordan shows how to use the multicam Angle Editor in Apple Final Cut Pro, along with some advanced techniques that make multicam files easier to edit.

Apple ProRes is a family of media codecs. In this short video tutorial, Larry Jordan explains what the different versions of ProRes are and how to pick the right version for your next video project.

Apple Final Cut Pro supports having more than one project open at once, even though only the active project is displayed. Here’s how to open, switch between and close one or more projects inside FCP.

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As we increasingly move to hand-held cameras, shaky shots are a fact of life. The Warp Stabilizer effect in Adobe Premiere Pro is a great way to keep your audience involved in your story without them losing their lunch. Here’s how to use it effectively.

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Shaky video footage can cause an audience to get motion sick watching your program. Fortunately, Apple Final Cut Pro provides three ways to smooth shaky footage. Here’s an illustrated tutorial on how these work.

Here are the twelve most popular media tutorials on the LarryJordan.com website for 2022. These include links and short article descriptions. Each of these generated tens of thousands of views.

Here are some real-world speed tests of 2-, 3-, and 4-drive SSD RAIDs using the OWC Thunderblade. Speeds are fast, but none fully fill a Thunderbolt 3/4 connection. Still, they are more than fast enough for almost all editing.

iBoysoft Data Recovery for the Mac brings missing files back to life. It does so for a wide range of files and devices. But the interface is flaky, core features are unreliable, and the entire application needs someone to pay much closer attention to it. Here’s Larry Jordan’s review.

The Synology WRX 560 Wireless Router is fast, powerful and amazingly flexible. It is designed for networks that need lots of controls. But, installation is a challenge.

macOS Ventura is significantly (masses of megabytes!) slower than macOS Monterey for both ExFAT- and APFS-formatted SSD drives. No one know why. Worse, formatting drives is now harder than before. Here are the details.

“Ask Larry Anything!” is a free-form conversation about video editing technology.In this short tutorial, Larry Jordan illustrates how to read the video scopes inside Apple Final Cut Pro and, by extension, Adobe Premiere Pro, because they share similar scopes. He also provides a table describing where to set skin tones to make people on camera look “normal.”

“Ask Larry Anything!” is a free-form conversation about video editing technology. In this short tutorial, Larry Jordan illustrates real-world speeds for SSDs and RAIDs, along with details on how much storage speed we actually need for editing video smoothly. The answers will surprise you.

This tutorial measures and illustrates the difference in speeds between different SSD (Solid State Drive) RAID levels. This also provides definitions of these different levels and recommendations on which to use for your storage.

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How fast does our storage need to be to edit video successfully? In other words: How fast is “fast enough?” Surprising, the answer is: Not as fast as you think. Here’s what you need to know.

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Measuring the speed of storage is an exercise in futility for a whole lot of reasons. Here’s what you need to know when you want to measure the speed of your system.

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Here are the step-by-step instructions for creating or deleting a multi-disk RAID 0 or RAID 1 storage system using Apple’s Disk Utility, which ships with every Mac.

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The OWC Thunderblade is a four-blade SSD RAID with speeds that more than meet the needs of virtually all video editors or audio mixers. This thing is plenty fast – the trick is figuring out exactly HOW fast. Read a detailed product review from Larry Jordan.

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The speed our storage transfers data, is surprisingly variable and complex, especially regarding SSDs, RAIDs and Thunderbolt. In this conversation with Tim Standing, from OWC, learn what limits the speed of Thunderbolt storage and what you can do to maximize it.

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Larry continues his on-going report on configuring and using a media asset management system – and making it accessible to remote users. His example features axle.ai software.

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