Motion graphic templates are created in After Effects for use in Premiere. This illustrated tutorial explains how to add, find, edit, modify and delete these templates.
New in the Sept. 2020 update to Adobe Premiere is an improved HDR workflow for Rec. 2100 HLG HDR media. Adobe continues to upgrade Premiere to support HDR. However, the process is not painless. Here’s an illustrated tutorial showcasing what you need to know.
New with the Sept. 2020 update to Premiere Pro is automatic scene detection. Here’s an illustrated tutorial explaining how this works. In short, it is fast, fun and pretty darn accurate.
Earlier this week (Sept. 15, 2020), Adobe announced new versions of Premiere Pro and After Effects. Available immediately, as part of a Creative Cloud subscription, here are the new features.
In this short video tutorial, Larry Jordan shows how to use several new – but hidden – Viewer features in the latest 10.4.9 version of Apple Final Cut Pro X.
In this short video tutorial, Larry Jordan shows how to use several new – but hidden – Browser features in the latest 10.4.9 version of Apple Final Cut Pro X.
In this short video tutorial, Larry Jordan shows how to use the new ISO and white point settings to adjust ProRes RAW media using the latest 10.4.9 version of Apple Final Cut Pro X.
In this short video tutorial, Larry Jordan showcases two new features in Motion 5: 3D Objects and the Stroke filter. He also illustrates how to apply color and texture to the 3D object.
I first wrote these “Media Planning Guidelines” as a series of bullet points to help us think about media and the storage necessary for video editing. In this article, I expand these to explain my thinking to help you make better media decisions for your next project.
In this short video tutorial, Larry Jordan discusses the impact of video frame size, frame rate and codec on storage capacity and video editing, whether you use Adobe Premiere Pro or Apple Final Cut Pro X.
In this short video tutorial, Larry Jordan explains why converting video frame rates often causes video playback to stutter, whether you use Adobe Premiere Pro or Apple Final Cut Pro X.
In this short video tutorial, Larry Jordan explains why H.264 and HEVC media are considered inefficient for video editing, whether you use Premiere Pro or Final Cut Pro X.
Premiere holds many hidden tips. Here are three that make working with timeline markers faster and easier.
Apple Compressor 4.4.7 now supports creating a wider range of proxy files. This illustrated tutorial explains what you need to know, how it works and which to choose.
One of the headline features in the 10.4.9 update to Final Cut Pro X is a number of improvements to proxy editing. Here’s an illustrated tutorial on what they are and how they work.
The brand-new ArmorLock SSD from G-Technology is fast, secure and rugged. But, it has problems when trying to add multiple secure users to the drive. It’s a great idea that needs tweaking.
Apple continues to make it easier – though not intuitive – to bring an errant Mac under control. Here are the steps you need to take to get you Mac running right.
New with the 5.4.6 update to Apple Motion is support for 3D Objects. This illustrated tutorial shows where they are, how to use them and what you need to know to import your own USDZ objects into Motion.
Smart Conform, the new re-framing feature in Apple Final Cut Pro X 10.4.9, is a good start. It does what Apple says, but there are limitations. Here’s an illustrated tutorial showing how this works.
Apple released a flood of small changes with the 10.4.9 update to Final Cut Pro X that didn’t get a whole lot of press. Let me take you behind-the-scenes in this illustrated tutorial to explore these smaller gems.