The iRig Pro Quattro I/O is a four-channel audio interface perfect for recording music or video in the field, or for live-steaming podcasts or other productions. Here’s an in-depth review.
Integrating vertical video into a horizontal video timeline is increasingly common. Here’s an illustrated tutorial on how to do it using both Final Cut Pro and Adobe Premiere Pro.
Audio Design Desk is an amazing program. It creates sound environments faster and easier than anything I’ve ever seen. Now they’ve extended it with Media Bridge connecting ADD with sound effects libraries across the web. Learn more!
Machine learning is a fact of life in video editing today, though its impact is often a two-edged sword. In this guest post, Jourdan Aldredge looks at Adobe Sensei, Adobe’s AI tool for video editors.
MediaInfo, published by MediaArea, is a convenient unified display of the most relevant technical data for video and audio files. It is free, available through the MacApp store. Here’s a detailed look at this useful utility.
Apple Compressor can analyze the technical settings of a media clip and, in some cases, allow you to change them. This illustrated tutorial shows you how.
Here’s an illustrated tutorial on how to slow a video clip from full-speed to a standing stop, then back up to full-speed, while inserting a freeze frame in the middle that can be any duration you want using Apple Final Cut Pro.
Adobe added new features to their proxy workflow. However, you need to make sure permissions are set correctly, and, even then, they are hard to see. Here’s how this new feature works.
Relinking media in Final Cut has become increasing powerful and flexible. Here’s an illustrated tutorial on how it works, along with advice on where to store media for different Final Cut Pro projects.
Adobe added two significant new workspaces to Adobe Premiere Pro (v22.5) to simplify editing projects on single monitors and laptops.
This week, Adobe updated Premiere Pro to version 22.5. Here’s a list of the new features, along with a link for more details.
Video bit depth makes a difference when you are creating effects, color grading or working with HDR material. Here’s an explanation of what bit depth is and when to care about it.
This illustrated tutorial on creating retro film effects using Final Cut Pro was written by Burkhard Berger.
At WWDC 2022, Apple introduced their latest iteration of Apple silicon: the M2. Based on information released by Apple during the event, the M2 is, on average, 10-15% faster than the M1. Note: That’s not a knock on the M2, …
This tutorial creates a 3D text template in Apple Motion that allows Apple Final Cut Pro to put moving video inside adjustable, textured 3D text. There are many creative variations on this idea.
What I like about the Classic Color Meter is that it works the way you expect, measures colors six ways from Sunday and allows copying and pasting color values, even color images, from whatever you measured into whatever you need. Here’s how it works.
Last week, Apple reassured editors it remained committed to Final Cut. But were they firing up development or simply being nice? This article is an effort to spark a discussion between Final Cut editors on what features they want to see and how important those features are. I encourage you to add your suggestions and comments.
Growing a freelance business takes time and effort. Here are some tips, from freelance writer Mary Cardoza, on how to grow a start-up freelance business.
Multicam recording captures an event using multiple cameras. Multicam editing displays all those angles during the edit. In this short video tutorial, Larry Jordan shows how to create virtual angles in a multicam clip to provide more diversity in shot selection, as well as how to create a montage using multicam in Final Cut Pro.
Multicam recording captures an event using multiple cameras. Multicam editing displays all those angles during the edit. In this short video tutorial, Larry Jordan shows how to add visual effects and color grading to a multicam clip in Final Cut Pro.
