While both ProRes 422 and ProRes 4444 are much larger than the original HEVC (or H.264, for that matter), the structural design of ProRes makes it more suitable for faster editing performance, especially for multicam editing. These details illustrate the difference.
The macOS 13.2.1 update fixes a significant bug in the current version of Apple Final Cut Pro. Here are the details.
Apple Final Cut Pro is a very stable program. But, sometimes, it gets confused. When it does, the first step to reset Final Cut is to delete its preference files. Here’s how.
There are people who make a living predicting the future. I am not one of them. Still, I want to share some thoughts about the future of video editing because media is about to get much more challenging.
Earlier this week Alteon.io announced Alteon Accelerator, a new desktop application that maximizes upload speeds. Here’s an interview with Matt Cimaglia, CEO of Alteon, to learn more about what this service offers.
Motion tracking used to work really well in Premiere Pro, but, recently, something broke. In this short video tutorial, Larry Jordan shows what motion tracking is, what’s wrong with it, and provide a workaround you can use until this gets fixed.
In this short video tutorial, Larry Jordan illustrates a relatively new feature in Premiere which can instantly simplify complex sequences without actually changing your edit. This is very cool.
In this short video tutorial, Larry Jordan explains what speech-to-text is in Premiere, then shows how to create transcripts from your sequences using it.
Digital video no longer requires state-of-the-art hardware. We no longer need the biggest, fastest, most powerful system to get our work done. Here’s what you need to consider for a video editing system today.
Motion tracking effects has long been a feature in Premiere Pro. However, in recent versions, it no longer works reliably. Here’s an outline of the problem and a workaround.
Apple is famous for killing useful technology. For media creators, meant the death of software to create DVDs. With his livelihood at stake, Richard Osso went on a mission to find a way to continue creating DVDs for clients. This is his story.
These well-built units, wrapped in an aluminum case with a variety of colors, are small, solid, require no extra cable, inexpensive and work great. Here’s Larry Jordan’s review.
There’s an undocumented timeline project verification and repair function built-into Apple Final Cut Pro. While you may not ever need to use this, it is good to know that it’s there. Here’s how to access it. Option-click the Clip menu …
Adding a few dozen To-Do markers to any Final Cut project won’t cause any problems. However, if you regularly import transcripts into FCP, take the time to read this thread, especially if your system seems to be slower than usual.
Masks allow us to select a portion of a video image. In this short video tutorial, Larry Jordan shows a variety of ways to use color, shape and draw masks in Apple Final Cut Pro to create visual effects or fix problems.
Chroma-key allows us to make specific colors in a video image transparent. In this short video tutorial, Larry Jordan shows different ways to use chroma-key, which is also called a “green-screen key,” to create useful video effects.
Multicam editing allows us to edit several camera clips at the same time. In this short video tutorial, Larry Jordan shows how to use the multicam Angle Editor in Apple Final Cut Pro, along with some advanced techniques that make multicam files easier to edit.
Apple ProRes is a family of media codecs. In this short video tutorial, Larry Jordan explains what the different versions of ProRes are and how to pick the right version for your next video project.
Apple Final Cut Pro supports having more than one project open at once, even though only the active project is displayed. Here’s how to open, switch between and close one or more projects inside FCP.
As we increasingly move to hand-held cameras, shaky shots are a fact of life. The Warp Stabilizer effect in Adobe Premiere Pro is a great way to keep your audience involved in your story without them losing their lunch. Here’s how to use it effectively.