“Ask Larry Anything,” is a free-form conversation about questions related to media production and editing. In this short excerpt, Larry Jordan explains how to use keyframes in Motion to animate the movement of an object.
The Video Limiter, in Adobe Premiere Pro, protects excessive video levels for broadcast, streaming, cable and DVD projects. Here’s how it works.
For web work, you don’t need to worry about video levels. However, for just about all other video projects, you do. In those cases, it’s nice to know the Broadcast Safe effect has your back by keeping your video levels “legal.” Here’s how it works.
Here’s the advice I wish I had when starting my career. Regardless of your role in creating media – actor, producer, director, or editor – these tips will help you decrease your stress and improve your career.
SilverFast SE Plus 9, by LaserSoft Imaging, provides high-quality image scans for professional use. However, it has an interface that takes time to learn. It does a great job, not because of its interface, but in spite of it. Here’s my review.
Leigh Reeves owns a Canon R5 camera and needs to record ProRes RAW to an Atomos Ninja V. Here’s a step-by-step guide on how to configure the gear to do this.
Most of the time, you can easily create simple moves in Final Cut directly on the timeline. But, sometimes, when you need a truly complex move a compound clip can help. Let me illustrate. Normally, we add the image we …
This is a very fast trick I recently learned which can save a ton of time when you need to change fonts in one or more titles in an Adobe Premiere Pro sequence or project.
I’m a long-time owner of an Epson Perfection V600 Photo scanner. But, recently I purchased an Epson V850 Pro because I have a lot of slides to scan. In this review, I compare both and share the strengths and weaknesses of each.
This session takes a closer look at color grading in DaVinci Resolve 17, with a special emphasis on its unique color tools and secondary color correction ability. In this excerpt, Larry Jordan demonstrates how to use nodes to solve more complex problems in color grading.
This session takes a closer look at color grading in DaVinci Resolve 17, with a special emphasis on its unique color tools and secondary color correction ability. In this excerpt, Larry Jordan showcases a variety of ways to compare and match shots in Resolve.
This session takes a closer look at color grading in DaVinci Resolve 17, with a special emphasis on its unique color tools and secondary color correction ability. In this excerpt, Larry Jordan explores the different variations of RGB color wheels in Resolve.
This session takes a closer look at color grading in DaVinci Resolve 17, with a special emphasis on its unique color tools and secondary color correction ability. In this excerpt, Larry Jordan illustrates how to customize the video scopes.
COVID 19 has decimated the trade show industry. Yet, as an industry, we still need trade shows. What’s the future hold? Here’s an interesting experiment in the future of trade shows. It’s an idea, not a product and it needs your comments.
Connecting two scanners to the same computer is not as simple as plugging them in. Here’s what you need to know to get these to work.
The Marshall Electronics CVM-16 Pro-Style Tripod Stand is the most solidly-built, well-thought-out, versatile small tripod I’ve ever seen. It was designed by people who take photographs for a living. And it’s built to last for years. Here’s my review.
When a clip is added to the timeline, if the frame size of the clip doesn’t match the frame size of the sequence, Premiere will scale it to fill as much of the frame as possible. In almost all cases, this is a bad choice. Here’s why.
Richard asked me to compare the speed of Apple Motion running on Intel vs. Apple CPUs. The results were STUNNING – and NOT what I expected. This offers a caution that simply running on Apple Silicon is not a guarantee of blazing speed.
It is a true saying that “change is the only constant in life.” But, when it comes to operating system upgrades, I tend to be far from the bleeding edge. Recently, I upgraded to macOS Monterey. Here’s what I learned.
Masking is a time-consuming and persnickety task. However, the Draw Mask in Apple Final Cut Pro makes the process straight-forward, with lots of ways to adjust it. Here’s an illustrated tutorial that explains how it works.