A very cool technique to create unique looks for your video using LUTs. This requires Photoshop and can be used in Adobe Premiere Pro, Apple Final Cut Pro X, or Davinci Resolve. You’ll like this.
With all these different high-end video formats, it’s easy to get confused. In this short video excerpt, watch as Larry Jordan defines and illustrates color spaces and LUTs; and how they apply to video media.
High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… In this short video excerpt, watch as Larry Jordan illustrates how to create custom LUTs for media in Adobe Premiere Pro using Adobe Photoshop. This is a VERY cool technique!
High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… In this short video excerpt, watch as Larry Jordan illustrates how to optimize preference settings in Adobe Premiere Pro to work with HDR media.
An illustrated review and tutorial on mLUT for Final Cut Pro X, Adobe Premiere Pro CC, Avid Media Composer and more.
An illustrated tutorial on how to use AirDrop to move images and video from your iPhone to a Mac.
Range check is a simple-to-use tool that helps you retain all the detail in the brightest parts of your video image in Apple Final Cut Pro X. This illustrated tutorial shows you how to use it.
With all the different high-end HDR video formats, it’s easy to get confused. In this short video excerpt, watch as Larry Jordan illustrates how to use Range Checking to control highlights in both SDR and HDR media using Final Cut Pro X.
With all the different high-end HDR video formats, it’s easy to get confused. In this short video excerpt, watch as Larry Jordan illustrates how to use the HDR Tools effect on HDR media in Apple Final Cut Pro X.
With all the different high-end HDR video formats, it’s easy to get confused. In this short video excerpt, watch as Larry Jordan shares tips on how to color grade HDR media in Apple Final Cut Pro X.
Digital Heaven releases all FCP X plug-ins for free. Here are the details, a weblink and an interview with CEO Martin Baker.
Mark Bashian, Creative Director for Bash Films, recently sent me these results of his performance testing. Since all of us are trying to figure out how to make the most of our computer gear, I found his tests to be …
A cool workaround to create DVD chapter markers using Apple Final Cut Pro X.
A detailed, illustrated, review of the LG 27″ UHD 4K Display from the perspective of video editing and still images.
This is a fascinating, illustrated look at how different media affects performance of RAM, CPU, and Libraries in Final Cut Pro X, along with recommendations on upgrades and computer systems.
An explanation of the Broadcast Safe effect in Final Cut Pro X, what it is, how and why it is used and when you should avoid using it.
A step-by-step illustrated tutorial on how to create, automate and access proxy media files in Adobe Premiere Pro CC (2018 or later).
Tips and mostly-free software you can use to improve your computer security.
“Wouldn’t it be great,” I thought, “if I could embed one project into multiple others?” But, as we all know, FCP X won’t allow embedding projects into others. Instead, use compound clips. And, as you’ll discover, compound clips are dynamic!
An explanation of how Massive.io can help filmmakers transfer files faster and cheaper than older services.