Audio plug-ins do not automatically appear in Adobe Premiere Pro or Audition after you install them. Here’s what you need to do to finish the installation process.
A product review of five powerful Mac-based audio plugins to repair common audio problems that are easy-to-use and deliver great results. They support Final Cut Pro X, Premiere Pro, DaVinci Resolve and are worth adding to your toolkit.
Configuring a 2020 27″ iMac for video editing, with recommendations for system components, along with a discussion of this system vs. new Apple silicon gear.
This is a system to speed exporting Premiere Pro projects for one or more editors using two computers, Adobe Media Encoder and Watch Folders.
Examples of how blend modes can add texture to colors and scenes, along with how to use them to fix problems with exposure or color. This is created in Adobe Premiere Pro, but applies to all NLEs.
CommandPost is a free, flexible, customizable tool that allows editors to get far more out of Final Cut Pro X than they would ever expect. Here’s an illustrated tutorial to this powerful software.
A LUT (LookUp Table) is a conversion table that instantly changes pixel values from one setting to the next. Final Cut provides two different ways to apply LUTs to your footage: the Inspector and the Custom LUT effect. This article describes how to use the Custom LUT effect.
In this short video tutorial, Larry Jordan answers a question on how to get rid of “fuzzy edges” in a chroma-key using Apple Final Cut Pro X.
In this short video tutorial, Larry Jordan answers a question showing how to use Apple Final Cut Pro X to match the color between video clips shot using different cameras, one of which was an iPhone.
In this short video tutorial, Larry Jordan answers a question about how to catalog and find media files, this also features demos of Image Chest and Kyno software.
In this short video tutorial, Larry Jordan answers a question on how to use LUTs to color grade HDR or Log video in Apple Final Cut Pro X.
Adam Wilt shares his thoughts on why Blackmagic Design released a camera recording 12K frame sizes. And, it isn’t the reason you expect.
Voice-over work combines acting with technology to create magic. It’s your voice telling stories directly into the imagination of the listener. Here are some tips to make it better.
Presented by Larry Jordan, this four-part webinar series covers the basics of editing with Apple Final Cut Pro X. In this short video tutorial, Larry shows how to create and modify keyframes to create animation in Final Cut Pro X.
Presented by Larry Jordan, this four-part webinar series covers the basics of editing with Apple Final Cut Pro X. In this short video tutorial, Larry shows how to use Generators with Infographics in Final Cut Pro X.
Presented by Larry Jordan, this four-part webinar series covers the basics of editing with Apple Final Cut Pro X. In this short video tutorial, Larry shows how to create a variety of video speed changes – from hold frames to speed ramps – using Final Cut Pro X.
Here’s a hidden keyboard shortcut for Apple Final Cut Pro X that allows moving Primary Storyline clips without moving any clips connected to them. (Contributed by Don Smith.)
There is difference in how the same color is displayed in Premiere, Final Cut and QuickTime. This made worse when looking at media on a P3 display. Here’s what you need to know.
Captions are not titles. Understanding the difference is key to problem-free playback of your media. Also, you don’t get to choose the caption format – your distributor does. Learn more here.
Here is an interested workaround to fool Apple Final Cut Pro X into importing just portions of a clip, rather than the entire clip. This is especially useful when you have extremely long media files, but only need to use a very short section.