Still photographs, slides and digital images are a common component in many video projects. In this short video Larry Jordan shows how to animate their movement, including moving on curves, in Adobe Premiere Pro.
Still photographs, slides and digital images are a common component in many video projects. In this short video Larry Jordan shows how to use Topaz Photo AI to improve the look – and resolution – of still images.
The new 2023 Mac mini is a powerhouse – especially when equipped with an M2 Pro SoC. In this detailed analysis, Larry Jordan looks at the performance of the M2 Mac mini specifically for use editing media in Apple Final Cut Pro.
Still photos, slides and digital images are a common component in many video projects. In this short video tutorial, Larry Jordan shows how to use keyframes inside Final Cut Pro to animate still images using straight lines and curves.
Still photographs, slides and digital images are common in many video projects where editors often need to bring them to life. In this short video tutorial, Larry Jordan shows three simple, AI-based, Photoshop tools to repair still images for video projects.
Still photographs, slides and digital images are a common component in many video projects. From digital photos to maps to old photos, editors often need to bring still images to life. In this short video tutorial, Larry Jordan shows how.
Since I’m now adding periodic guest posts to my website, I want to share with you the criteria I consider before I post them. Sponsored posts or links are not permitted and posts must be relevant.
Premiere Pro is not bad at multicam editing. If you are only editing a few clips, Premiere will be fine. But, for complex projects, or where you want to customize proxy compression settings, Premiere is not the fastest or most capable choice. Here are the details.
Guest writer Clara Carlson explores the ethical concerns associated with the use of AI-generated content in the media industry and its potential impact on the creative workforce.
This you won’t believe. I tested to see how many streams of 4K media Final Cut Pro can edit in a multicam clip. The answer blew me away. These are the details.
A frequent question is whether a computer has the power an editor needs. Here I look at what Adobe Premiere Pro needs for 4K multicam editing and the speeds your storage needs to support. The answer is not what you expect.
A frequent question is whether a computer has the power an editor needs. Here I look at what Apple Final Cut Pro needs for 4K multicam editing and the speeds your storage needs to support. The answer is not what you expect.
The coordinate system in Motion and Final Cut makes creating effects with multiple images simple – once you understand how it works and how to properly scale the video clips. Here’s a step-by-step tutorial that will help you understand this.
While both ProRes 422 and ProRes 4444 are much larger than the original HEVC (or H.264, for that matter), the structural design of ProRes makes it more suitable for faster editing performance, especially for multicam editing. These details illustrate the difference.
The macOS 13.2.1 update fixes a significant bug in the current version of Apple Final Cut Pro. Here are the details.
Apple Final Cut Pro is a very stable program. But, sometimes, it gets confused. When it does, the first step to reset Final Cut is to delete its preference files. Here’s how.
There are people who make a living predicting the future. I am not one of them. Still, I want to share some thoughts about the future of video editing because media is about to get much more challenging.
Earlier this week Alteon.io announced Alteon Accelerator, a new desktop application that maximizes upload speeds. Here’s an interview with Matt Cimaglia, CEO of Alteon, to learn more about what this service offers.
Motion tracking used to work really well in Premiere Pro, but, recently, something broke. In this short video tutorial, Larry Jordan shows what motion tracking is, what’s wrong with it, and provide a workaround you can use until this gets fixed.
In this short video tutorial, Larry Jordan illustrates a relatively new feature in Premiere which can instantly simplify complex sequences without actually changing your edit. This is very cool.
