A step-by-step illustrated article describing how to create and use keyword ranges, along with links to other articles on keywords in Final Cut Pro X.
An example of how to share logging data between two editors using Final Cut Pro X.
A commentary on why we need to keep learning.
This explains the differences between various versions of Apple ProRes and how to choose the right version of ProRes for your next media project.
A step-by-step tutorial on how to remove audio hum using Final Cut Pro X.
This short video tutorial highlights the new improved search features in Adobe Premiere Pro CC 2014.
This short video tutorial illustrates how to send files from Adobe Prelude CC to Adobe Premiere Pro CC. It also explains when to use Send and when to use Export.
This is a short video tutorial highlighting some of the new features in the October and December, 2014, updates to Adobe Media Encoder.
An overview of HEVC (H.265); the newest compression codec for video.
Part 2 of Larry Jordan’s thoughts on 2014 and what it means for the media industry in 2015.
Part 1 of Larry Jordan’s thoughts on 2014 and what it means to the media industry in 2015.
A step-by-step tutorial on reducing audio noise using the Noise Reduction filter in Adobe Audition CC.
A step-by-step tutorial on using Adaptive Noise Reduction techniques to reduce audio noise using Adobe Audition CC.
Create a surprising effect using two different colors in a chroma-key. This is especially useful for props shots on camera. Illustrated using Premiere Pro CC.
A very interesting effect, created from combining two different chroma-key colors in the same clip allowing us to switch between backgrounds. Illustrated using Final Cut Pro X.
A step-by-step tutorial on how to remove a background color that isn’t green or blue, using the Keyer filter in Final Cut Pro X.
A look at the challenges of adding a media asset system to a small company. It isn’t the software; it’s the people.
A fast way to find and relink to a missing file in Final Cut Pro X.
Today, Adobe updated all their audio and video applications to v2014.2. Here are the details.
A simple, but not-obvious, technique that allows you to modify an existing multicam clip in Final Cut Pro X without losing any edits.