There’s a lot of confusion about the three different media types in Final Cut Pro X: native, optimized, and proxy. This article explains what you need to know.
Many times, editors need to share projects. Changing Event References in FCP X makes this possible.
Common Final Cut Pro X trouble-shooting and performance tips, including how to trash Final Cut Pro (FCP) X preference files.
Do you have two or more audio clips that need to sound the same? Here’s a fast technique in FCP X that explains how.
Here is a simple technique to match the sound of two different audio clips using Soundtrack Pro.
A solution for dual-channel mono clips, or single track mono clips displaying audio as a single waveform in Final Cut Pro X.
Roles are new with Final Cut Pro X (FCP X) and can help manage complex projects through keywording your audio and video clips.
This is a better, faster, and more flexible way to create audio transitions in Final Cut Pro X.
Thanks to the generous raffle donations of our media sponsors for Larry Jordan’s Live FCP X Training in Washington DC!
By default, the audio output of Final Cut Pro is stereo. You can get it to output split tracks, but you’ll need to do the mix in Soundtrack Pro or ProTools. This tutorial explains how.
There’s been some debate about authoring NTSC DVDs in DVD Studio Pro (with having all of the region codes selected) and their playback in PAL countries.
Here is an explanation of how to create a highlight overlay menu in Photoshop when creating menus for DVD Studio Pro.
In the Log & Transfer window of FCP 7, how do I empty the Log & Transfer window?
I am looking for a specific workflow instructions. Since I’m dealing with HDV, XDCAM EX, anamorphic SD, recaptured DVD assests and stills, I needed an in depth step by step workflow.
Changing the color of a gradient in Final Cut Pro X requires opening it in Motion and making changes. This article describes how.
What happened to Background Sound in Final Cut Pro X?
An overview of working with proxies for your media in Final Cut Pro X.
Alex Gollner has posted a new, FREE, effect for Final Cut Pro X — it’s an eight-point mask.
Jack Rickard sent me a very thoughtful analysis of why he is a fan of the Cloud that I want to share with you.
GenArts, long recognized as a leader in high-end visual effects, announced a new version of its Sapphire product line at the London SuperMeet in late June.