A long-time weakness of Final Cut Pro X was its inability to easily move projects into Motion. Xsend Motion, from Automatic Duck, solves that problem. This is a detailed, illustrated review of this program.
An illustrated technique showing how to transfer custom Apple Compressor settings from one computer to another.
A performance test of Adobe Media Encoder (2016) comparing its performance against earlier versions, with optimized suggestions for YouTube compression.
A variety of media creators explain how they archive their media and projects for the long-term.
In this short video excerpt, Larry Jordan highlights the new Media Browser in the June, 2016, update to Adobe Media Encoder.
In this short video excerpt, Larry Jordan shows how to compress files for social media using Job Actions in Apple Compressor.
In a discussion at the 2016 Creative Storage Conference, I discovered the answer to: “How long can we store flash media on a shelf without losing data.”
Video scopes are indispensable when making final decisions on how to fix problems or grade a scene. This article shows how to configure them in Final Cut Pro X.
Color correction allows you to make problem images look great. In this short video tutorial, Larry Jordan shows how to color correct a shot where the skin tones are too orange using Final Cut Pro X.
Color correction allows you to make problem images look great. In this short video tutorial, Larry Jordan shows how to color correct a portion of an image using Shape Masks in Final Cut Pro X.
The Audio Track Mixer in Premiere allows us to control our sound in some very sophisticated ways. One of which uses Sends and Buses. This illustrated tutorial explains what audio buses are and how to use them. This tutorial is still relevant ten years later.
An explanation of the various factors that influence hard disk speed when transferring files from one drive to another.
An illustrated way to find out which USB protocol your Macintosh computer supports, along with a discussion of the new USB 3.1-C.
Masks allow us to modify or hide portions of an image. While most often used in chroma (or green-screen) keys, masks have a wide variety of uses. In this short video excerpt, Larry shows how use the Graduated and Vignette Mask effects in Final Cut Pro X.
Masks allow us to modify or hide portions of an image. While most often used in chroma (or green-screen) keys, masks have a wide variety of uses. In this short video excerpt Larry shows how use masks to exclude sections of the image in a chroma-key effect.
An illustrated tutorial showing how to import selected sequences, media and projects into a separate project in Adobe Premiere Pro CC.
An illustrated explanation of those weird, obscure settings at the bottom of the Sequence and Export dialogs in Premiere Pro that no one understands… and that you can’t find in the Adobe Help Files.
An illustrated tutorial on how to convert stereo audio to dual-channel mono for editing in Adobe Premiere Pro CC.
There are two ways to create Library templates for Final Cut Pro X. This illustrated tutorial describes both methods.
The Library panel allows you to add and share media and assets between the various Adobe applications. While currently designed to enable still artists working with Photoshop, libraries can still be useful to video editors. This illustrated tutorial explains how.
