Final Cut creates render files for all transitions, effects, and audio mixes. This article explains what you need to know to keep these files under control and recover hard disk space at the end of a project.
It’s happened to all of us. We created an effect that looked great at the time, but now, after a night’s rest, we hate it. Here are two techniques you can use to remove all the filters from selected clips.
Sometimes, especially when merging clips, you get more audio tracks in a Final Cut Pro timeline than you want. This article describes a couple of different ways you can get rid of them.
Addressing the problem of digital media “evaporating” when a hard drive is powered down and stored on a shelf, with additional advice from Bob Gobeille, who originally provided the terminal script to fix this problem.
Nothing is more critical than making sure your reel numbers (or names) are correct before capturing video. This explains how to fix them when you forget.
Soundtrack Pro has the amazing ability to reduce the background noise in a clip – like air conditioners or other machine noise. In this tutorial, I’ll show you a step-by-step procedure you can use to reduce the noise in your audio. (Note: For a video tutorial of this process, click here.)
Tony asked an interesting question: what’s the difference between RED and DSLR cameras for shooting video. Good question. So I asked two experts: Philip Hodgetts and Noah Kadner. This article provides their answers.
Final Cut Pro is, most often, used for editing after the recording is complete. However, there are some situations where you need to record live and edit as soon as you can. This article talks about that and provides options to consider. There’s also some relevant reader feedback.
You have probably used Final Cut’s audio mixer to mix your audio tracks in real-time. Did you know you can do the same thing with audio filters? This technique shows you how.
Lots has been written about the benefits – or lack thereof – in shooting 24 fps video. Here’s a quick look at a complex subject.
RAIDs (Redundant Array of Independent Drives) are high-speed, big-storage products designed for video editing. However, they are often described using arcane terms like RAID 0, 1, 3, 5, and so on. This short article describes what those terms mean.
Here’s a technique you can use to slightly modify a voice so that it is no longer recognizable, yet still understandable. This is useful for disguising speakers, or commercial effects.
Compressor does a really good job of compressing video for the web, or DVD. But, what if you want to change the image size? Well, Compressor does that too – in the Geometry tab. This article shows you how.
Ripping a DVD, which means to convert it into something that Final Cut Pro can edit, can be done a number of ways. However, not all of them yield the best quality. This article explains what you need to know to convert your DVD footage into something that can be edited, while still looking good.
A reader questions why the Quicktime quality of his sequences are soft when he exports them as a mov.
Last month, I wrote about how to use QuickTime 7 to add audio to video. Since then, I’ve gotten several comments from people that own OS X 10.6 that they don’t have QuickTime 7 on their system.
QMaster allows you to combine multiple computers into a render farm to make video compression run faster. It also allows you to combine multiple processors on one computer to compress video faster. One of these choices works MUCH better than the other. This article explains what you need to know.
A good question regarding soundtrack transfer is submitted in this article and Larry explains the problem with how scripts process – or fail to process – clips
Print to Video is your best choice when outputting to tape. However, some people find really ingenious ways to avoid it. This article describes what it is, along with a discussion of self-contained vs. reference QuickTime movies.
The Primatte RT keyer, which ships with both Motion and Final Cut Pro, is a nice keyer, but it has problems with hair and transparency. In this review/technique, I show you how to use the big brother to the RT filter: Primatte Keyer Pro 4 to key a model who has lots and lots of big, bouncy, hair!