Following up on an earlier review of the Matrox MXO, a user contributes another application he discovered, while a word of warning on compatibility is offered by another contributor.
The Matrox MXO offers a reasonably priced way to monitor and output HD video. Learn more about it in this review.
Sometimes, simply color-balancing is not enough, you need to make the same object or person look the same between two different shots. This article explains how.
This technique is very useful when you need to find the video that goes with the audio, or the audio that goes with the video.
Last month, I showed you how to hide someone’s identity using a traveling matte. (Technique: Creating a Traveling Matte.) This month, I want to show you a technique suggested by Tom Wolsky, where the mask, shape, and tracking are all contained on one layer, rather than two layers in a traveling matte.
SmoothCam is magical – but the analysis it requires is glacially slow. In this article, discover two tips you can use to speed things up.
With the recent release of new MacBook Pro laptops, I was surprised to discover that Apple is removing ports from the computer, making it harder to attach the accessories, like hard drives, that we need to edit. Now, the MacBook Pro has the same ports as a MacBook — which makes NO sense to me, In this commentary, I discuss the situation and provide some ideas on how we can contact Apple to get them to add more ports on future models.
If you haven’t worked with LiveType you are missing a treat. This article shows you how to take LiveType past bouncing TV sets and sunflower characters into creating some amazing animated text effects.
While most of LiveType’s effects and animation don’t require keyframes, LiveType has a powerful keyframe system hidden deep inside. This article shows you how to create and use keyframes inside LiveType to create some great looking effects.
Michael Murray wrote in with a question about how to export a Final Cut Pro HD sequence for use in LiveType; which led me to think about one of the truly time-saving features of FCP HD — round-tripping.
In researching my up-coming seminar series, I was studying LiveType and discovered two ideas which I want to share with you.
I got burned by this when I was prepping my most recent webinar for posting. My audio slowly slipped out of sync. I hate when that happens. What I discovered is that the Soundtrack Pro sample rate preference setting overrides the sample rate of the Final Cut Pro project, resulting in a slow sync drift that will drive you nuts. This article explains what you need to know to fix it.
When you press the backslash key, Final Cut loops around the current position of the Playhead. This article explains how to change the amount of time plays during this loop.
With the release of Final Cut Studio (3), Apple signaled that LiveType was not long for this world by no longer bundling it with the suite of software. However, FCP 7 still supports LiveType files. This is a shame, as I truly like working with LiveType. This article details what makes LiveType fun to use, and features in Motion that would help us make the transition.
Final Cut allows you to connect an unrelated audio clip with a video clip, using either Link or Merge. This article describes how and how to select the right one.
It drives me nuts! The Link Selection tool is right there in the Timeline. But using it is likely to slip your audio and video out of sync. There’s a better way, and this article explains it.
Sometimes, you need to change the color of part of an image (like a car or sculpture), but not all of it. Or you want everything black and white, except one thing. This article shows you how.
OS X 10.5 (Leopard) has a new help system that is very cool and available in just about every application. In this article, Ben Balser describes what you need to know to take advantage of it.
As we move more and more into a tapeless workflow, I realized that new editors may not know how to record a project back to video-tape; a process called “lay-back”. So, this brief article tells you what you need know, as well as how to structure your sequence for tape.
The bigger a project gets, the more critical it is to get it organized. In this article, two readers suggest ways you can use to get your projects under control.