While most of LiveType’s effects and animation don’t require keyframes, LiveType has a powerful keyframe system hidden deep inside. This article shows you how to create and use keyframes inside LiveType to create some great looking effects.
Michael Murray wrote in with a question about how to export a Final Cut Pro HD sequence for use in LiveType; which led me to think about one of the truly time-saving features of FCP HD — round-tripping.
In researching my up-coming seminar series, I was studying LiveType and discovered two ideas which I want to share with you.
I got burned by this when I was prepping my most recent webinar for posting. My audio slowly slipped out of sync. I hate when that happens. What I discovered is that the Soundtrack Pro sample rate preference setting overrides the sample rate of the Final Cut Pro project, resulting in a slow sync drift that will drive you nuts. This article explains what you need to know to fix it.
When you press the backslash key, Final Cut loops around the current position of the Playhead. This article explains how to change the amount of time plays during this loop.
With the release of Final Cut Studio (3), Apple signaled that LiveType was not long for this world by no longer bundling it with the suite of software. However, FCP 7 still supports LiveType files. This is a shame, as I truly like working with LiveType. This article details what makes LiveType fun to use, and features in Motion that would help us make the transition.
Final Cut allows you to connect an unrelated audio clip with a video clip, using either Link or Merge. This article describes how and how to select the right one.
It drives me nuts! The Link Selection tool is right there in the Timeline. But using it is likely to slip your audio and video out of sync. There’s a better way, and this article explains it.
Sometimes, you need to change the color of part of an image (like a car or sculpture), but not all of it. Or you want everything black and white, except one thing. This article shows you how.
OS X 10.5 (Leopard) has a new help system that is very cool and available in just about every application. In this article, Ben Balser describes what you need to know to take advantage of it.
As we move more and more into a tapeless workflow, I realized that new editors may not know how to record a project back to video-tape; a process called “lay-back”. So, this brief article tells you what you need know, as well as how to structure your sequence for tape.
The bigger a project gets, the more critical it is to get it organized. In this article, two readers suggest ways you can use to get your projects under control.
One of the hardest emails to read starts: “After years of work, I’m finally ready to submit my project to a festival. All I need to do is get rid of the audio echoes and I’m done.” The sad part is that is not a lot that can be done to reduce echoes — except for the ideas in this article.
Keynote is a secret weapon in the arsenal of creating motion graphics. The problem is getting the files exported from Keynote into something we can edit. This article describes the process, along with several tips from readers.
Here’s a fast way to use Keynote create text animations — especially for text-heavy clips. This is also a much faster way to create animated bulleted lists as well. This technique shows you how to make this work.
Here’s a technique you can use to create multiple keyframes in multiple clips at the same time with a single mouse click. Then, I’ll show you how to get more control over the keyframes you set.
I was surprised to discover I haven’t written about this technique – I use it in almost every project I edit. Built into Final Cut Pro is a really fast, REALLY easy way to find keyboard shortcuts or menu items — if you know where to look. In this article, I’ll show you where.
File journaling is new in OS 10.3. This article explains what it is and what video editors need to know about it to optimize their systems.
Here are a series of tips, gleaned from lots and lots of painful experience, that can help you find and land a great post-production job.
Apple has announced their new iPad, though as of this writing it has not yet shipped. What is the iPad good for? Should video professionals pay attention? In this article, I share some of my thoughts on where the iPad fits in.