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Larry answers some questions regarding the different codecs that Final Cut Express captures vs. Final Cut Pro, as well as fielding a question on audio waveforms.
In addition to over 100 audio effects, Final Cut Pro X ships with some very interesting audio enhancements which can repair bad audio. In this tutorial, I want to illustrate how to work with these enhancement tools.
Final Cut Pro 7 calls it a “nest.” Final Cut Pro X calls it a “compound clip.” Whatever you call it, there are some real benefits in knowing how to use it. A compound clip is simply a collection of clips gathered together and treated as though they were a single clip. This tutorial explains how to create them.
Keyframes are at the heart of all video animation; though, in some cases they are hidden in a Motion behavior or pre-built effect. In this tutorial, I will show you how to add keyframes in the Final Cut Pro X Timeline to animate an effect.
Action Safe and Title Safe boundaries were invented decades ago to solve two problems with televisions that had picture tubes. This technique explains what they are and how to display them.
Valentine’s Day is coming up, so I thought I would use it as the example for one of my favorite effects – putting video inside a shape. This effect is also called a “traveling matte.”
Welcome to the latest edition of my monthly Final Cut Studio newsletter for December, 2011. This newsletter provides tutorials, tips and other information essential to the interested user of Final Cut Pro.
Adding timecode to clips or projects is a great way to allow clients to review your projects and relate their comments to a specific time in the project. (This process is also called “timecode burn-in” – or “burning in timecode.”) This technique explains what you need to know.
Let’s pretend we want to share a group of clips with multiple projects. The easiest way to move a clip, or a group of clips, between projects is to use copy and paste. This article explains how, along with variations on Copy and Paste.
In this technique, you’ll learn how to save custom audio filter settings in both Final Cut Pro X (FCP X) and Soundtrack Pro.
This color correction technique in Final Cut Pro X isn’t perfect, but it is REALLY fast and gets you close enough to keep your job
A picture-in-picture effect is a very popular effect in that it allows us to see two images at once. This tutorial shows you how to create this in FCP X (Final Cut Pro X).
In FCP X, this technique shows you how to use the Position tool to create gaps, move clips, and overwrite clips in the Primary Storyline.
A quick tip for FCP X: if you are adding Ken Burns moves to two clips and you need to add a transition between them, apply the transition first.
In FCP 7 and all earlier versions, this technique shows you how to move the playhead, a clip or group of clips, or an edit point using the keyboard.
This technique shows you how to create hold frames, remove them, adjust their duration, and change the frame that freezes in Final Cut Pro X.
In FCP 7 and all earlier versions, this technique shows you how to use the Track Selection tools as a fast way to select multiple clips in one or more tracks.
There’s a lot of confusion about the three different media types in Final Cut Pro X: native, optimized, and proxy. This article explains what you need to know.
Many times, editors need to share projects. Changing Event References in FCP X makes this possible.