Surround mixing adds a new level of creativity to your mixes. This article explains the basics.
An interesting book on editing that analyzes the editing of Star Wars.
You can add Ease-In and Ease-Out acceleration to keyframes in FCP X. This article explains how.
A collection of ten fun facts about Titles and Backgrounds in Final Cut Pro X to improve your text.
Job-chaining saves time during compression by sending the output of one compression process into input of the next. Here’s how it works.
The Fast Color Corrector does exactly that – fast color correction. Here’s how it works.
Here is a step-by-step tutorial on how to compress video for YouTube using Adobe Media Encoder CS6.
This article provides an overview of how to use Adobe Media Encoder CS6.
Adjustment layers are a powerful new feature Premiere Pro CS6. This technique shows you how they work.
Audio loudness specs are changing in the US and EU. Here’s a summary of what you need to know.
Here is a list of Larry’s favorite keyboard shortcuts for Adobe Audition CS6.
Here’s a simple way to share the same FCP X project files between editors.
ADR replaces poor audio with good audio. Adobe Audition makes this pains-taking process MUCH faster and better.
Here are a variety of ways to improve FCP X performance and stability.
Here’s a quick tip to move clips in Final Cut Pro X.
Larry Jordan Seminars 2010 Scotland, England, Ireland Are you wondering: We are hop-scotching all over everywhere in February with lots of interesting events planned. GLASGOW – Friday, Feb. 12 Creative Loop Student Media Festival – part of the Glasgow …
Here are two audio repair techniques to remove power line hum and remove audio glitches.
Four light effects in Final Cut Pro X to add visual interest: vignette, spot, shadows, artifacts.
Whether you are using multicam in Final Cut Pro X or Final Cut Pro X, keep this key point in mind: You can not mix audio tracks using multicam editing, and you can switch between tracks, but not mix between tracks.
The Precision Editor in FCP X makes adjusting where two media clips touch simple, precise, and visual.