Apple Final Cut Pro provides three different ways to quickly adjust the look of a clip: Looks, Color Board Presets, and Color Grading Presets. In this short video demo, Larry Jordan shows what these are, where they are located and the differences between them; including one very big advantage!
Comparison view quickly allows comparing the look of any timeline clip to the clips preceding and following it. Even better, it supports building a collection of “looks” you can use to compare any timeline clip to up to 30 timeline images. Larry Jordan shows how this feature works.
Thoughts from Larry Jordan on Apple’s 2025 WWDC keynote presentation.
I found myself giving bad advice recently – which I hate to do – and it started with this panic email which I misinterpreted.
I was worried. My SSD RAID was getting fuller every time I deleted files. This should not happen! It SHOULD get emptier. While I was using an OWC Thunderblade RAID, this problem could apply to any SSD. The answer, I …
One of the themes at the 2025 NAB Show in Las Vegas seemed to be a reaction against the cloud; a question about whether we’ve moved too much data to the cloud. Several my interview guests talked about data repatriation, …
Resolve can easily display two timelines using either a single or dual monitor display. But it’s a bit fiddly. Here’s how this works.
Adobe Premiere supports displaying two or more timelines at the same time. For example, this can help when you need to compare two versions of an edit. This isn’t hard to do, but it isn’t obvious. Here’s how this works.
While Final Cut does not allow displaying more than one project in the timeline at the same time, it does make switching between projects easy. Here are some secret tips.
The latest version of Adobe Premiere Pro (v25.2.1) has a totally revamped color engine. Which is excellent, actually. But, if you are shooting iPhone video, when you load that clip into Premiere, it will look, ah, terrible. Here’s how to fix it – quick.
All the hype surrounding AI presents software developers making tools for creatives with a dilemma. How do they find the right balance between creating features that improve their tools versus replacing the editor?
One of the tasks editors are increasingly asked to do today is convert a horizontal timeline to vertical to post to social media. Premiere makes this process easy using Auto Reframe. Here’s how this works.
One of the tasks editors are increasingly asked to do today is convert a horizontal timeline to vertical to post to social media. Apple Final Cut makes it easy using Smart Conform. Here’s how.
In this conversation, Larry Jordan and Maxim Jago discuss the future of media, the impact of AI on media creation and humanity, why he chooses to be optimistic, and his suggestions on what creative media folks can do to survive and surmount the turbulence in today’s world.
Larry Jordan and Martin Greenwood discuss YoYotta’s evolution beyond its initial phase of archiving media to LTO tape. Their software now supports indexing and finding media, backups and archives, as well as LTO tape.
Larry Jordan and Jeffrey Weiss discuss Valiant Eagle Enterprises’ up-coming acquisition of sound stages from Occidental Studios in Los Angeles. Jeffrey also describes his plans for the studio, its technology, and his target market.
Larry Jordan and Craig Hering discuss how Suite Studios is able to create cloud-based media collaboration software that provides both fast performance and high security world-wide.
Larry Jordan and Derek Barrilleaux discuss how Projective’s key insight is protecting and organizing media by project, why this is important, and who their cloud-based Strawberry software is designed for.
Larry Jordan and Gary Rosen discuss Pliant’s focus on wireless intercom systems, where they are used, the challenges in building them and a look at their latest features.
Larry Jordan and Trevor Morgan discuss Open Drives’ transition into a software-only company, the need for faster network-attached storage, and the increasing trend of data “repatriation.”
