Arctic Whiteness updates Final Cut Library Manager to version 3.6, adding new features to track and display media stored either inside a Library or outside in its own folder.
Shooting and editing are essential to the production process. But, if you screw up the final compression, all the hard work that went before is lost. In this short video excerpt, Larry Jordan shows how to compress and automatically publish media files to social media.
Shooting and editing are essential to the production process. But, if you screw up the final compression, all the hard work that went before is lost. In this short video excerpt, Larry Jordan shows how to optimize the compression preferences in Adobe Media Encoder.
Adding a transition to a compound clip in Apple Final Cut Pro X is REALLY difficult – unless you know how. In this illustrated tutorial, Larry Jordan shows what you need to know.
Apple Final Cut Pro X simplifies the process of editing, trimming and adjusting multichannel audio. In this illustrated tutorial, I’ll show you how this works.
There’s nothing harder than struggling to learn a new, complex piece of software. In this short video excerpt, Larry Jordan shows how to use the new Title tool to add text to video inside Adobe Premiere Pro CC.
There’s nothing harder than struggling to learn a new, complex piece of software. In this short video excerpt, Larry Jordan shows how to set audio levels for a single clip, or a group of clips, inside Adobe Premiere Pro CC.
Instructions on how to turn off auto-updating in the macOS, why this can be a good idea and Larry Jordan’s thoughts on when to update after a new release.
An explanation of the options in the Wrench menu, located in the timeline of Adobe Premiere Pro CC.
Apple is moving to support only 64-bit applications. Here’s an illustrated guide that shows you how to find which applications will be affected.
Idustrial Revolution continues its XEffects plugin series for Apple Final Cut Pro X with Rips, a series of effects, transitions and titles that make video look like it is ripping like paper.
Apple Motion has, hidden inside it, a very capable particle system, along with a variety of simulators, which allow us to create a cloud of graphic objects and move them in interesting ways. In this short video excerpt, Larry Jordan shows how to use the Gravity and Edge Collision simulators effect the movement of an object in space.
Apple Motion has, hidden inside it, a very capable particle system, along with a variety of simulators, which allow us to create a cloud of graphic objects and move them in interesting ways. In this short video excerpt, Larry Jordan shows how to use the Repel simulator to have one object affect the movement, first, of another object, then of an entire particle system.
An illustrated tutorial to selecting a specific text element that’s part of a title animation in Apple Final Cut Pro X using a new tool in the Inspector.
An illustrated tutorial on how to create straight and curved lines in Motion for use in Final Cut Pro X.
The number one thing we can do to catch a viewer’s eye is to make something move. In this short video excerpt, Larry Jordan shows how to animate text – both 2D and 3D – using Motion behaviors.
The number one thing we can do to catch a viewer’s eye is to make something move. In this short video excerpt from a recent webinar, Larry Jordan shows how to color and animate 3D text using lights in 3D space.
An illustrated explanation of new color controls added to the Color Wheels in Apple Final Cut Pro X 10.4.
We use text to explain something to an audience that they can’t easily get any other way. However, just because it’s text doesn’t mean it can’t look arresting. In this short video excerpt, Larry Jordan shows how to format and adjust 2D text.
We use text to explain something to an audience that they can’t easily get any other way. However, just because it’s text doesn’t mean it can’t look arresting. In this short video excerpt, Larry Jordan shows how to format and adjust 3D text.