Motion has a virtually limitless package of lights that can be positioned for both 2D and 3D elements. In this short video tutorial, Larry Jordan illustrates the four different light types in Apple Motion, and how they are used.
Motion has a virtually limitless package of lights that can be positioned for both 2D and 3D elements. In this short video tutorial, Larry Jordan illustrates what happens when you change light settings in Apple Motion.
Motion has a virtually limitless package of lights that can be positioned for both 2D and 3D elements. In this short video tutorial, Larry Jordan illustrates how to light a 3D object in Apple Motion using a variety of lights.
Motion has a virtually limitless package of lights that can be positioned for both 2D and 3D elements. In this short video tutorial, Larry Jordan illustrates how to create a cast shadow from a chroma-key using lights in Apple Motion.
Here’s a step-by-step tutorial creating an animated reflection in Apple Motion, then publishing it to Final Cut with additional effect controls, to use as a template.
In this illustrated, step-by-step tutorial, discover how to use Apple Motion to motion-track, blur or emphasize elements within a video frame.
[This is an excerpt from a recent on-line video webinar: “Advanced Techniques in Apple Motion 5.5” which is available as a download in our store, or as part of our Video Training Library.] EXCERPT DESCRIPTION Explore the capability of Apple …
Explore the capability of Apple Motion for your projects in more depth. In this short video tutorial, Larry Jordan illustrates how to use and modify particle emitters, then showcases two simulations: Repel and Vortex using Apple Motion.
Explore the capability of Apple Motion for your projects in more depth. In this short video tutorial, Larry Jordan illustrates how to create a curved path for text, then animate text along that curve using Apple Motion.
Adobe added minor features to both Premiere Pro and After Effects in its January, 2021, update. As well, it announced it is adding new, more inclusive language to its software. Here are the details.
The microphone you use for recording audio is more important to audio quality than any cable, plugin, software or hardware you use to record it. Here’s my thoughts on how to make yourself sound better.
You don’t need to be an incredible artist – or a programmer – to create interesting and useful effects using Apple Motion. In this short video training, Larry Jordan shows how to create a custom transition in Motion for use in Apple Final Cut Pro.
You don’t need to be an incredible artist – or a programmer – to create interesting and useful effects using Apple Motion. In this short video training, Larry Jordan shows how to create a custom effect in Motion for use in Apple Final Cut Pro.
In this illustrated tutorial, I show how to use chroma-key to create an irregular object in Apple Motion, then create a cast shadow that changes as the foreground image changes.
Every editor has their own list of features that they’d like Apple to implement. I’m no different. Over the years, I’ve been struck by five imponderable missing features in Final Cut that, try as I might, I can’t get Apple to explain why they don’t exist. Here’s my list.
I use blurs all the time, to keep a background from becoming too distracting, or improve a green-screen shot, or provide the illusion of depth. Here’s an in-depth tutorial on how to create them, what they look like, how to animate them and examples of their use.
At first blush, many of the backgrounds included with Apple Final Cut Pro are mostly unusable for text. However, when you adjust their settings – and combine them with a few well chosen effects – you’ll discover a wealth of creative options to make your projects more visually interesting. Here are six examples.
The OWC Envoy Pro Elektron is a small, rugged, fast, bus-powered storage system that easily fits in your pocket. With speeds averaging over 900 MB/second, it can easily support multicam or traditional HD editing. Here’s a detailed review.
Effects are the fun part of video editing because there are so many different options. In this short video tutorial, Larry Jordan shows how to animate clips using keyframes in Premiere Pro. He’ll also show how to add speed changes to keyframes using Ease In and Ease Out.
Effects are the fun part of video editing because there are so many different options. In this short video tutorial, Larry Jordan illustrates different ways to create green-screen keys (also called “chroma-keys”) using both good and, um, awful footage in Adobe Premiere Pro.