Nesting is the process of placing one sequence inside another sequence. There are many reasons why this technique is useful. This article highlights several of them, including ways to fix problems when your nested audio does not appear.
Wendy is searching for a universal HD output format to simplify distribution of her projects. In this article, she discovers that’s easier to say than to do.
In this post-NAB 2010 report, I show how we covered this huge trade show for the Digital Production Buzz. 16 reporters, crew of 22, live hourly audio brodcasts, and daily one-hour show specials. This goes into the gear, the process, the file naming conventions…everything.
Apple just finished its event for NAB 2007 — where they announced Final Cut Server, Final Cut Studio 2 and Color! And I thought you might be interested in some more immediate observations.
This is a commentary by Larry Jordan on the announcements and background conversation at MacWorld 2006 in San Francisco, CA.
The only problem with creating multiple versions of the same file is the time it takes. In this article, I explain how you can do this faster and easier by automating Compressor, than just doing one file at a time from Final Cut Pro.
In this article, learn how you can capture two simultaneous, real-time video feeds into one computer and get them ready for editing.
As you move into editing HD footage, you will quickly discover that there are many, many, MANY different HD formats. This article describes what you can do when you are forced to work with more than one HD format in a project.
One of the more useful new goodies in Final Cut 7 is all the new functions that markers now support. Since we are talking about multiclips, I wanted to mention a specific marker feature you may not know about.
Multiclips are new with Final Cut 5. This article explains how to use markers within a multiclip.
In order to create a multiclip in Final Cut Pro, all the clips in it MUST match for codec, frame rate, and image size. They must also contain continuous, uninterrupted timecode.
Multicam clips are new with FCP 5 and provide the ability to see multiple camera angles at the same time. However, while they are easy to use, they can be tricky to set up. This technique explains the steps you need to follow to get everything working smoothly.
Increasingly, audio is being recorded in more than two tracks. However, Soundtrack Pro has a problem when dealing with more than two tracks. This article describes the problem, and a work-around that fixes it.
Probably the most reqested technique in my classes — how to add the same transition to multiple clips at once. Here’s how.
Probably the most reqested technique in my classes — how to add the same transition to multiple clips at once. Here’s how.
By default, Final Cut outputs all audio as a stereo pair. However, Final Cut supports up to 24 discrete audio channels out — provided you know what to adjust and where to click. This article shows you how.
Final Cut Pro is two audio channels in, but up to 24 audio channels out. This article shows you how to get more than stereo from FCP.
Final Cut makes it easy to move files from one place to another — provided you have your files and system setup correctly. This article explains what you need to know.
One of the hot new features in Final Cut Pro 6 (part of Final Cut Studio 2) is the ability to use Motion templates inside Final Cut Pro. This article shows you how that’s done and gives you a couple of killer examples on how using templates as placeholders can save you HOURS of time.
One of the effects I wanted to create for my training was a reflection of a moving clip of video. This is what we are going to create in this technique.
