QuickTime does not always properly display 16:9 video. This means that iDVD may not accurately compress your video in the correct image aspect ratio. This article explains what you need to do to fix this problem.
Apple, on April 18, 2004, announced the latest version of Final Cut. Larry attended the event and files this report, then updated it in June with more information direct from Apple.
Final Cut makes it challenging to line things up properly in the Canvas or Viewer, because there are no grids or guides. Here’s a quick technique you can use to create your own grids.
Frame offset was invented to allow you to compensate for the delays between your computer and an external device, like a deck. Here is how it works and why you should care.
Final Cut Server is out, but what does it really do? In this article, we take a look at the strengths and weaknesses of the product. Server has a lot of power, but it isn’t for everyone — this article helps you decide for yourself.
The way a monitor wall works is that you send it a full-screen feed for each camera or image you want it to display. It will then composite them into a single display. This gives you the highest image quality and the ability to zoom one of the images full-screen.
Gary Freedline sent me a long screed decrying missing features in Final Cut Pro. However, in reading it, I realized that many of them are already there if you know where to look. This article points the way.
The latest versions of Final Cut Pro, Motion, and DVD Studio Pro were announced, along with a brand new application: Soundtrack Pro 2. This article gives you a behind-the-scenes look at what’s new.
Just because the ProAps are no longer top-of-mind at Apple does not mean they are dead. Or dying. They just aren’t the darlings they used to be. And many of us are feeling the lack of love.
Sometimes, in spite of all your best efforts, you need to use Media Manager to delete media you no longer need. This article walks you through every step to help you avoid disaster.
Here are three quick ways to determine the duration of a clip or a gap.
Following up on an earlier review of the Matrox MXO, a user contributes another application he discovered, while a word of warning on compatibility is offered by another contributor.
The Matrox MXO offers a reasonably priced way to monitor and output HD video. Learn more about it in this review.
Sometimes, simply color-balancing is not enough, you need to make the same object or person look the same between two different shots. This article explains how.
This technique is very useful when you need to find the video that goes with the audio, or the audio that goes with the video.
Last month, I showed you how to hide someone’s identity using a traveling matte. (Technique: Creating a Traveling Matte.) This month, I want to show you a technique suggested by Tom Wolsky, where the mask, shape, and tracking are all contained on one layer, rather than two layers in a traveling matte.
SmoothCam is magical – but the analysis it requires is glacially slow. In this article, discover two tips you can use to speed things up.
With the recent release of new MacBook Pro laptops, I was surprised to discover that Apple is removing ports from the computer, making it harder to attach the accessories, like hard drives, that we need to edit. Now, the MacBook Pro has the same ports as a MacBook — which makes NO sense to me, In this commentary, I discuss the situation and provide some ideas on how we can contact Apple to get them to add more ports on future models.
If you haven’t worked with LiveType you are missing a treat. This article shows you how to take LiveType past bouncing TV sets and sunflower characters into creating some amazing animated text effects.
While most of LiveType’s effects and animation don’t require keyframes, LiveType has a powerful keyframe system hidden deep inside. This article shows you how to create and use keyframes inside LiveType to create some great looking effects.
