Larry Jordan and Larry O’Connor discuss OWC’s latest Thunderblade high-speed storage, the importance of Thunderbolt 5, and network-connected LTO drives. They then take a deeper look into SoftRAID 8.5.
Larry Jordan and Richard Rees discuss what QuickLink does, how it got started, and how it’s expanding out of broadcast into production studios and social media.
Larry Jordan and Bram Desmet discuss new HDR monitors, the importance of Quantum Dot screens for high-quality color, and a long look at where HDR is heading and why Rec. 2020 may not be the best option for HDR monitors.
Larry Jordan and Mark Hudgins discuss DIT file automation, the new Shotput Studio, and current media trends forcing teams to process more data in less time without losing track of it.
Larry Jordan and Lisa Watts discuss what Cree8.io is, why she started it, who it’s for, and how it can save editorial workgroups time and stress.
Larry Jordan and Joey Daoud discuss the impact of AI on media and how he deals with it. Joey then shares what got him interested in tech, how he built his channels and suggestions on how to market a YouTube channel.
Larry Jordan and Abe Apt discuss how AJA projects bridge all the difference devices and protocols involved in media today. Abe also showcases their latest releases and the strengths of AJA products.
Larry Jordan and Rick Barrett discuss the latest upgrades to Maxon’s range of artistic software. Rick then goes into more detail on RedShift, ZBrush and Cinema 4D, along with a discussion on the role of AI in the creative arts.
Larry Jordan and Shailendra Mathur discuss the latest features in ProTools and Media Composer with a special emphasis on using AI in media, as he emphasizes “responsible AI.”
Larry Jordan and Arie Stavchancky discuss how Dataclay tools connect databases with After Effects to automatically create customized versions of the same A.E. comp. Think of it as “mail merge for After Effects.”
Larry Jordan and Peter Barber discuss how Atomos is providing hardware that links different production gear together: camera monitors, recorders and, now, “Atomosphere,” their new camera-to-cloud technology.
Larry Jordan and Paul Lombert discuss how Hedge tools remove workflow problems throughout the post-production process. Paul explains their latest features and where each tool fits in an editing workflow.
At the recent the 2025 NAB Show in Las Vegas, I sat down with Blackmagic’s audio gurus to learn more about the Fairlight page. What I learned made a big difference in the sound of my projects. Here are three secrets that I’m now using in every project.
An illustrated look behind-the-scenes at what we did and how it worked at the 2025 NAB Show. This covers setup, operations and the things I learned. Surprisingly, it all worked really well!
I want to add watermarks to the videos I edit in DaVinci Resolve – but I couldn’t find a “watermark” option. Then, I discovered “Data Burn-in.” Here’s how it works, how to create presets and where to use them.
Larry Jordan and Kylee Peña discuss the latest features in Adobe Premiere Pro and After Effects, how editors today are forced to do more in less time, the role of AI features in Adobe video products, and the important differences between “commercially safe” and “copyrightable.”
Larry Jordan and Dan May discuss BMD’s 36 newest products, with closer looks at Pyxis cameras, ATEM switchers, the role of AI in creative software, and DaVinci Resolve 20.
Larry Jordan and Mike Cavanagh discuss the impact of AI on Hollywood, how studios will use AI to cut staff and expenses, the trend of moving media out of the cloud, and how to future-proof your career.
Larry Jordan and Sam Bogoch discuss media management, new AI-based media search features, finding the clips you need, and the trend to improve privacy by moving assets from the Cloud back onto local storage.
Adobe added more AI features into the latest release of Premiere (25.2), along with a variety of other useful features and bug fixes. Here’s what’s new
