Larry O’Connor, CEO of OWC, showcases many of their latest products at IBC 2025.
Peter Barber, CEO of Atomos, showcases what’s new for Atomos at IBC 2025.
Here are some of the trends we are hearing about at IBC 2025. Please add your thoughts in the comments.
Leanne Tomlin, Marketing Director, Pixit Media, explains what new from them at IBC 2025.
Rich Andes, Telestream, showcases what’s new from Telestream at IBC 2025.
Michael Cioni, CEO of Strada, explains what’s new from Strada at IBC 2025.
Alexandru Niculin, Maxon, showcases what’s new from Maxon at IBC.
Kylee Peña, Senior Product Marketing Manager, Premiere Pro, Adobe Systems, discusses the key industry and technical trends that Adobe is watching in media today.
Kylee Peña, Senior Product Marketing Manager, Premiere Pro, Adobe Systems, explains how Adobe is integrating generative AI into its media products at IBC 2025.
Kylee Peña, Senior Product Marketing Manager, Premiere Pro, Adobe Systems, introduces the latest version of Adobe Premiere Pro at IBC 2025.
These interviews of leading developers for the media industry were recorded at IBC 2025 by Laura Peters, a member of the Larry Jordan team.
While Fusion can do lots of amazing things, it also has a learning curve that goes straight up. In this short video excerpt from his webinar, Larry Jordan introduces the Fusion interface, moves a clip from the Edit page into the Fusion page, then add a simple embedded text title into the clip.
These are the two animated titles we’ll create this week in Larry’s DaVinci Resolve Fusion webinar.
UPDATED with how to create complex garbage masks using the Color page. Earlier, I wrote about creating a green-screen key in Resolve 20 but failed to show how to create garbage masks. There are multiple options – here’s how they all work.
In this web series episode, Norman Hollyn and Larry Jordan illustrate how changing the position of a single cut in a dramatic scene changes the meaning of the entire scene. (This is the first episode in the web series: “2 Reel Guys.”)
There are two new effects in Apple Final Cut Pro which have a variety of uses: Callout & Picture-in-Picture. Here’s what they do, how they work and the differences between them.
In Apple Final Cut Pro, when you only apply one effect to a clip, you get exactly the results you expect. However, when you add multiple effects to a single clip, the order in which those effects are “stacked” in the Video Inspector directly affects the results you get. Let me illustrate this.
Sometimes, we just can’t do what we want to do. Here’s the problem: We want to scale a clip smaller, then blur it so both the clip and its edges are blurred. However, unless you know the secret trick, Apple Final Cut Pro won’t let you do this. Here’s the secret.
Auditions are a little-understood feature in Final Cut Pro that can simplify and speed-up selecting the best B-roll clip or graphic. Here’s how to create and use them to speed picking the right sound effect or music clip for your project.
Creating favorites of titles and clips to share between projects is easy in DaVinci Resolve 20. Except… the entire process is hidden by default. Here’s how to create favorites for your own projects.
