IntelliSearch in Resolve 21 takes finding media in a currently open project to a new level. Search on visual content, dialog or faces. Here’s an illustrated tutorial on how it works.
Here’s a comparison of the strengths and weaknesses of Final Cut’s Magnetic Mask, Premiere’s Object Mask and Resolve’s Magic Mask 2 – all AI-based masking tools. Each works, but they don’t deliver the same results.
Sequence is a native macOS app that combines on-device transcription, text-based editing, audio cleanup, globally indexed search, and finally the hand-off to Final Cut Pro. Larry Jordan interviews James Setton, CEO, to learn more.
Shade is a new cloud-based post-production service that integrates storage, collaboration and asset management for a team of remote editors. Here, Larry Jordan interview Shade CEO Brandon Fan to learn more.
Digital media skills for students are no longer supplementary. The question is where do students get their skills. Apple Creator Studio, for all its imperfections, is an answer to that question.
(April 2026) Adobe releases a new version of Firefly and introduces Frame.io Drive. Here are the details and links.
Yesterday, Adobe announced the latest version of Premiere (26.2). Here are the highlights, with links.
Blackmagic Design announced eleven new hardware products, plus DaVinci Resolve 21 and Fairlight Live just before the start of NAB Show 2026. Here are all the details.
Here’s a list of announcements and new products expected at the NAB Show 2026. This list is updated daily. Links to all announcements are included.
Within a year or two, AI will create the majority of social media videos that we watch. What does that mean for the rest of the media industry – and our jobs?
Adobe added a subtle new feature to the 26.0 release of Premiere: the ability to change transition duration by dragging a handle. Here’s where it is and how it works.
Two new menus were added in Final Cut Pro 12. Here’s where they are and what they do.
Of course AI will sweep the halls. But… that brings both good and bad news.
TVOne announces technology that provides simultaneous precision control from the lighting console for lighting, video playback, pyro, scenic automation, lasers, and audience systems like LED wristbands.
It is more difficult than ever to maintain a sustainable career as a knowledge worker and digital artisan. Zack Arnold (ACE), an award-winning, twenty-five year veteran of film & television editing, shares his thoughts on what creatives need to do today to survive.
Not all AI is bad – but AI today will definitely impact media. Here’s an overview of two recent reports in Time Magazine and McKinsey & Company on AI in media.
The new Beat Detection feature in Final Cut Pro 12 is both simple, elegant and effective. With it, you can not only highlight specific beats in music, you can use these to cleanly edit it as well. Here’s how this new feature works.
Apple introduced two new search features in Final Cut Pro 12 – Transcript Search and Visual Search. But, they don’t work for existing projects, because Apple’s Help files are missing key details on how to use them. Here’s what you need to know to use these effectively.
Masking is the process of isolating a subject in the frame so you can modify it separately from the rest of the image. In the Premiere 26 release of Premiere, Adobe added the Object Mask whose KEY benefit is to use AI to create mask shapes. Here’s how it works.
8K TVs are dead, but there’s still a reason for shooting 8K.
