Last week, Apple released updates for Final Cut Pro, Motion and Compressor. Both Final Cut and Compressor added new features, while all three applications saw significant bug fixes. Here’s the full list of what’s new.
Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan illustrates the importance of readability – and other factors – when choosing fonts for a video project.
Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan illustrates several font design tips to help you choose which fonts to use in your next video project.
Fonts are the easiest way to telegraph an emotion – and they don’t require any design skills from us. In this short video tutorial, Larry Jordan demonstrates three font adjustment techniques that can make on-screen video text look better. While this uses Photoshop, we can actually do this in most applications on Windows or Mac.
We love the look of film, but the world has gone digital. In this guest blog, Drew Gula, from SoundStripe.com, explores the balance between digital media and creating a film look.
The ProCo Power Mute CPMD mic switch is a ruggedly-built, easy to use and reasonably quiet mic mute, well-suited for live events or recording. Here’s Larry Jordan’s detailed product review.
DPI (Dots per Inch) is a measure of image resolution. It also confuses a lot of people. Here’s an illustrated guide to where DPI matters, where it does not, and why images look bad when you scale them larger.
New Pfieffer Report testing confirms Adobe software, running natively on M1 Macs, is far, FAR faster than the same software running on Intel Macs. Speeds are almost double. Read the details here.
With the May, 2021, update, Adobe improved captioning in Premiere Pro. New features include improved colors and more flexible trimming. This tutorial illustrates these.
Recent versions of Final Cut Pro have a feature called: “Consolidate Library Media.” This tutorial looks at what this feature does, when to use it and how it can aid archiving and collaboration.
Still images are at the heart of many video programs. But, what do you do if the images you are using don’t look that good? In this short video tutorial, Larry Jordan showcases how to use a variety of tools to clean up an older image using Adobe Photoshop. These include straightening, cropping, adjusting grayscale levels, removing spots, and cleaning up damaged portions of an image.
Still images are at the heart of many video programs. But, what do you do if the images you are using don’t look that good? In this short video tutorial, Larry Jordan illustrates how to use masks to repair an older image, add a vignette to highlight a face and use the clone tool to remove an unsightly line – all in Adobe Photoshop.
Still images are at the heart of many video programs. But, what do you do if the images you are using don’t look that good? In this short video tutorial, Larry Jordan illustrates several simple ways to clean up a still image; including crop, scale, content-aware fill and straightening an image – all in Adobe Photoshop.
Library Properties determine fundamental media handling settings for all the media, events and projects in a Library. When you need to make changes, here’s what you need to know.
Project settings, which Apple calls “Project Properties” determine the technical specs of your project. In this illustrated tutorial, I explain what they are, how to set them and how to change them.
Voice Changer, from Accusonus, is a plug-in for most popular NLEs that creates voice effects from robot to dragon. It is fast, easy to use and a fascinating sound design tool to bring the sounds in your imagination to life.
Atomos today announced the big brother to their 5″ Shinobi camera monitor: the Shinobi 7. Available in June for $699, here are the details – and a link.
Changing the speed of a portion of a video clip during playback is called a “variable speed change.” There’s a wide variety of reasons to change the speed of a clip, so, let me show you how to create different versions in Apple Final Cut Pro.
A fit-to-fill edit combines an overwrite edit with a playback speed change. It takes a marked clip in the Source monitor, then changes its speed to fit a specified duration in the timeline. Here’s how to create it in Premiere Pro.
A fit-to-fill edit combines a replace edit with a playback speed change. It takes a marked clip in the Browser, then changes its speed to match the duration of a clip in the timeline. Here’s how to create it in Apple Final Cut Pro.