Creative Cow reports that Retroactive 2.0 now supports Apple Final Cut Pro 7 running on macOS Mojave and High Sierra. Here are the details.
VideoProc Converter is a highly-affordable media clip compression and adjustment software. While most of its clip manipulation and trimming features already exist in professional video editing software, its support for transcoding virtually all known video formats makes it an attractive addition to your toolkit – once it fixes problems in the Mac version.
It’s a fifty-year-old stopwatch. It was a gift. And it brings back memories every time I use it. Gifts that matter come from the heart and remind each of us that we are important to someone else.
This article takes a closer look at improving video editing and computer performance using SSDs and provide specific suggestions on the gear to buy and how to configure your system.
Export segmentation is one of the new features in Final Cut 10.7 that becomes available when you upgrade to macOS Sonoma. This harnesses the power of multiple media engines in Apple silicon chips to accelerate H.264 and HEVC exports in FCP or Compressor. While this makes exports faster, it also has other benefits – and limitations.
This guest post, from Zac Carr, goes deep into the advanced features of the Warp Stabilizer in Adobe Premiere Pro. He looks into several key advanced features of the Warp Stabilizer tool and discusses why they are indispensable for achieving smooth motion and high-quality results.
In this short video, Larry Jordan shows how replacing hard disk drives (HDDs) with solid state drives (SSDs) can significantly improve the speed of your computer, without a lot of extra cost.
In this short video, Larry Jordan explains the key differences between Thunderbolt 3 and Thunderbolt 4.
In this short video, Larry Jordan explains how to configure either Apple Final Cut Pro or Adobe Premiere Pro to use SSDs instead of hard disk drives (HDDs).
In this short video, Larry Jordan demos Smart Collections – which are simply saved searches – in Apple Final Cut Pro.
Many Adobe Premiere Pro projects use the same effects – and effect settings – over and over. Creating these each time you need them is a waste of time. Why? Because it is easy to create custom effect presets and reuse them as often as you need. This illustrated tutorial shows how.
Many projects use the same effects – and effect settings – over and over. Creating these each time is a waste of time. Why? Because Apple Final Cut Pro makes it easy to create custom effects, reuse them as often as you need, even share them with other editors. Here’s how.
Regardless of which NLE you use for editing, we are all looking for ways to make editing go faster. Recently, I discovered an inexpensive purchase that can transform the speed of your existing computer system: An SSD RAID. These charts explain why.
FlexClip is a cloud-based AI video editor is designed for people who know little or nothing about creating video. Jessica Miller, of FlexClip, explains what it does, how it works and who it’s designed for.
Apple has improved object tracking in the 10.7 version of Final Cut Pro. While still not perfect, it is much faster and more accurate. Here’s how it works.
Apple updated Final Cut Pro to version 10.7 and included a number of new features. Here are details on three that are especially useful: Timeline scrolling, collapsing clips and faster H.264 and HEVC exports.
Today, Apple released new versions of Final Cut Pro (10.7), Motion (5.7), and Compressor (4.7). Here are the details.
There are a variety of ways to find and rename media in Adobe Premiere Pro, but there is also a significant caution that goes with doing so. Here’s how to find and rename media files.
There are a variety of ways to find, select, and rename media in Apple Final Cut Pro. Here’s what you need to know.
A typical problem when I record Zoom calls or screen captures is that the audio and video are out of sync. Here are three ways to sync clips, with one being the best option.
