When it comes time to mix your video project in Premiere Pro, one of the more tedious – but necessary – tasks is cutting dialog to remove unwanted sounds, then filling the gaps with room tone. Here’s a much faster way to do this – using the Essential Sound panel.
Cutting dialog and mixing room tone into the gaps is a tedious and boring part of any video project. Here’s a MUCH faster way to do this using Adobe Audition.
The Lume Cube panels are solidly built, easily adjustable, and come with flexible mounting options for different situations. I bought these for myself – here’s my review.
Nothing makes audio editing super-fast. But these are the techniques I use each week in my programs to improve the quality of my sound without wasting a lot of time editing.
This is a very fast and flexible technique to add multiple images to an Apple Final Cut Pro project, think a Zoom video, where each image is in a shape that can be scaled, animated, positioned and changed quickly and easily.
Adobe has made continual improvements to the color grading controls and video scopes in Premiere Pro. In this short video tutorial, Larry Jordan shows how to analyze your images using the video scopes inside Premiere.
Adobe has made continual improvements to the color grading controls and video scopes in Premiere Pro. In this short video tutorial, Larry Jordan shows how to use the new Comparison View in Premiere.
Adobe has made continual improvements to the color grading controls and video scopes in Premiere Pro. In this short video tutorial, Larry Jordan shows how to analyze your images using the video scopes inside Premiere.
Motion Graphic templates now support “replaceable media,” placeholders which are added in After Effects when the template is created, that can be replaced with different media in Premiere. Here’s how these work.
It’s easy to digitize SD video. But the quality isn’t great, the audio is often noisy and the results, for pros, are disappointing. Here’s a system to digitize older media and maximize audio and video quality.
When it comes to updating the operating system on my main production Mac, I’m a laggard. This is by intent. Still, I finally decided it was time to upgrade. Here’s what I learned in the process.
Both the new M1 and existing T2 chips from Apple support hardware-assisted encoding and decoding of H.264 and HEVC media. Here’s how to enable it in Adobe Media Encoder.
Both the new M1 and existing T2 chips from Apple support hardware-assisted encoding and decoding of H.264 and HEVC media. Here’s how to enable them in Apple Compressor.
Keyframes create a change during playback. The options we can apply to a keyframe allow us to shape the speed and direction of an effect. Here’s an illustrated tutorial on ways we can modify keyframes in Adobe Premiere Pro.
In March, Adobe released the new 2021 versions of Premiere Pro, After Effects, Audition, Media Encoder, and the rest of their audio and video applications. In this short video tutorial, Larry Jordan shows how to use the new media replacement feature in Motion Graphic templates in Adobe Premiere Pro.
In March, Adobe released the new 2021 versions of Premiere Pro, After Effects, Audition, Media Encoder, and the rest of their audio and video applications. In this short video tutorial, Larry Jordan shows how to use the new insert recording features in both the Waveform Editor and Multitrack Mixer in Adobe Audition.
In March, Adobe released the new 2021 versions of Premiere Pro, After Effects, Audition, Media Encoder, and the rest of their audio and video applications. In this short video tutorial, Larry Jordan shows how to verify the quality of your audio media – and how to repair problems with DC Offset – using Adobe Audition.
With the release of the March, 2021, update to Premiere Pro, Adobe introduced a new caption workflow. You can create edit, stylize, and export captions and subtitles in all supported formats. Here’s an illustrated tutorial on how this new system works.
Last week, Dalet Amberfin announced significant updates to their Amberfin media transcoding software. I contacted Eric Carson, Director, Amberfin Product Strategy at Dalet to learn more about Amberfin and its new features.
This week, Signiant announced that it had acquired Lesspain Software, best known for it’s media asset management software “Kyno.” To learn more, I sent questions to Margaret Craig, CEO of Signiant. Here is our interview.