“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan demos the new Speech-to-Text transcript and caption workflow options in Adobe Premiere Pro.
“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan explains where to store media in Apple Final Cut Pro and how the storage you use affects performance. This also includes a chart detailing the speed of different storage.
“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan explains the differences between camera native, optimized and proxy media in Apple Final Cut Pro. This also includes a demo on how they are created and displayed.
“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan explains what the different Browser clip line colors mean in Final Cut Pro.
“Ask Larry Anything,” is a free-form conversation about, well, anything you want to ask. In this short video tutorial, Larry Jordan shows how to animate an object (a toy car) to follow a complex path along a map using Apple Motion.
Audio Design Desk simplifies the process of finding, placing and experimenting with audio cues for video projects. While ADD handles the basics of sound design, the creative inspiration still comes from you. The good news is that version 1.7 makes this creative process faster and easier than ever.
With the July, 2021, update, Premiere Pro now supports text with multiple strokes and shadows. If you are creating commercials, action comics or anything where “eye-catching” is a job description, you’re gonna have fun with this!
Adobe adds speech-to-text and native M1 Mac support to the July, 2021, version of Premiere Pro. Here’s the full list of changes.
Here’s how to connect camera source files to proxy media in Adobe Premiere Pro, when the proxies were created outside of Premiere and the master files arrived after you started editing with the proxy files.
Here’s another technique that I use all the time – creating highly-flexible custom Final Cut Pro title templates in Motion that I use and modify in all my FCP projects. This is fast, easy and saves TONS of time formatting and positioning titles.
These three custom shortcuts simplify and speed several repetitive aspects of my edit and I want to share them to save you time in your edits as well.
Here is a variety of online techniques to get you and your Adobe Premiere Pro system back up and running quickly.
Your Mac system is acting flakey. Here are a variety of tests and trouble-shooting techniques you can use to get your system and running. (This includes a special section on trouble-shooting for media editors.)
On July 8th, Apple released bug fix updates for Final Cut Pro, Motion and Compressor. These updates included no new features. Here’s the list.
Seagate and Axle.ai partner to provide “Smarter Media” – edge-to-cloud mass storage with a media asset management front end. This new service, named “Lyve” is designed to provide cost effective smart media solutions for real world applications.
Smart Collections are flexible, easy to create and very, very deep. I use them for almost all my projects – except the very simplest. Here are illustrated examples of how these work.
Last week, Adobe released a new beta version of Premiere Pro showcasing new import and export features and, more importantly, point the direction Adobe plans to take the software. Here’s what’s new.
Apple updated Final Cut Pro, Motion and Compressor last week and both Final Cut and Compressor got a flurry of new features. In this short video tutorial, Larry Jordan shows how to find missing media, including proxies, using a new search feature in Apple Final Cut Pro.
Apple updated Final Cut Pro, Motion and Compressor last week and both Final Cut and Compressor got a flurry of new features. In this short video tutorial, Larry Jordan shows how to reduce the file size of an animated image sequence. We do this without losing any video quality, by using indexed color and Apple Compressor.
Apple updated Final Cut Pro, Motion and Compressor last week and both Final Cut and Compressor got a flurry of new features. In this short video tutorial, Larry Jordan shows how to control what metadata is embedded into your movies during compression using Apple Compressor. This is a very useful technique when security or privacy are important.