In this short video demo, watch as Larry Jordan show how to setup and configure dual computer monitors, video range checking and HDR tone-mapping.
In this short video demo, watch as Larry Jordan illustrates the different color spaces between SDR (Standard Dynamic Range) and HDR media.
An explanation of how Apple Final Cut Pro X handles ProRes RAW images, along with a link to an Apple white paper to learn more.
Here are the details behind Adobe Audition support for M/S (mid-side) Audio in Adobe Audition.
An illustrated tutorial on how to create a highly-compressed HEVC movie with transparency (alpha channels) using either the macOS or Apple Compressor.
An illustrated tutorial on how to create a scrolling credit list using Microsoft Word, Adobe Photoshop and Apple Final Cut Pro X (or Adobe Premiere).
This morning, Adobe updated Premiere Pro, After Effects, Audition, Character Animator and Premiere Rush. Available today, the updates offer support for Apple ProRes RAW, new creative tools in After Effects, workflow refinements in Character Animator, and performance improvements, such as …
An illustrated, detailed tutorial on how to create an effect in Apple Motion to be used as a template inside Final Cut Pro X.
A detailed, illustrated tutorial on how to move custom Motion templates designed for Final Cut from one computer to another.
Color correction and color grading are part art, part science and part applied technology. In this short video demo, watch as Larry Jordan demonstrates how to adjust grayscale values and use the video scopes to improve the look of your images.
Color correction and color grading are part art, part science and part applied technology. In this short video demo, watch as Larry Jordan shows how to use the video scopes in Adobe Premiere Pro to evaluate skin tones.
Color correction and color grading are part art, part science and part applied technology. In this short video demo, watch as Larry Jordan shows how to create two color effects using masks in Premiere Pro.
A step-by-step tutorial, from Carleton Cole, on how to create scrolling text in Final Cut Pro X.
The anchor point is that spot around which an image rotates or scales. Moving it to a corner or an edge often makes a zoom or rotation more interesting. Here’s how.
This is a REALLY fast way to get rid of color casts in video clips using Adobe Premiere Pro.
Match Color does more than simply match colors between clips. Once you understand what it is REALLY doing, you can use it to create some fascinating effects.
In this short video demo, watch as Larry Jordan shows two different ways to remove color casts from skin tones and improve color accuracy in Apple Final Cut Pro X.
In this short video demo, watch as Larry Jordan shows how to use the Hue and Saturation Curves in Final Cut Pro X to replace and adjust a single color in a clip.
In this short video demo, watch as Larry Jordan shows how to use the Balance Color and Match Color tools to quickly fix color problems in your clips.
Productions were introduced by Adobe as a collaboration feature. But, even if you are a solo editor, there’s a lot to like in Productions. Here are Larry Jordan’s thoughts on Productions.