Blog Archives

Posted on by Larry

A detailed look at video compression speeds in both Mojave and Catalina for both Apple Compressor and Adobe Media Encoder. Cool charts are included.

A video compression speed and file size comparison using Apple Compressor between macOS Mojave and Catalina. This will be of interest to video editors and media creators.

Posted on by Larry

Smart Rendering is a media optimization strategy that speeds renders and exports in Adobe Premiere Pro CC. This explains what you need to know.

A general analysis of when to use H.264 vs. HEVC for media compression, along with a recommendation for media creators.

Posted on by Larry

Adobe released new apps and updates to all their applications at Adobe Max 2019 this morning. Here are the details on their audio and video apps.

Posted on by Larry

Apple updated its Pro Video codecs. These are of value to all editors, but you can’t upgrade to them using the Mac App Store. Here’s how.

Posted on by Larry

Apple released the latest version of Compressor (4.4.5) last Monday. One of the key features in the update was improved performance. Since all of us rely on compression to deliver our final projects, I wanted to see how much improvement …

Posted on by Larry

Within just a few weeks, most likely this month, Apple will release the latest version of the MacOS – Catalina. First introduced at WWDC last June, this is the latest incarnation of OS X. There are three critical things you …

Three different ways to quickly export a section of a movie from Adobe Premiere Pro CC.

Posted on by Larry

An explanation of things to consider when purchasing your next computer for media editing. Written for the non-technical person who is deeply confused about what all these tech talk means.

Posted on by Larry

An explanation of when to use, or not use, “Maximum Bit Depth” and “Maximum Render Quality” in Adobe Premiere Pro CC.

Posted on by Larry

An explanation of when and why media is copied during import, plus a discussion of Premiere’s new Ingest option.

Posted on by Larry

A corrected look at how video file size changes as color bit depth increases.

Posted on by Larry

This provides an overview of what High Dynamic Range (HDR) media is, where we are now, where we are going, how it works in video editing systems and links to learn more. Written for a video editor, not an engineer.

Posted on by Larry

High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit… In this short video excerpt, watch as Larry Jordan illustrates how to optimize preference settings in Adobe Premiere Pro to work with HDR media.

Posted on by Larry

Mark Bashian, Creative Director for Bash Films, recently sent me these results of his performance testing. Since all of us are trying to figure out how to make the most of our computer gear, I found his tests to be …

Posted on by Larry

A step-by-step illustrated tutorial on how to create, automate and access proxy media files in Adobe Premiere Pro CC (2018 or later).

Posted on by Larry

In this short video excerpt, watch as Larry Jordan illustrates how and why to automatically create and edit proxies in Adobe Premiere Pro CC (2019).

Posted on by Larry

How to create ProRes transcoding settings in Adobe Media Encoder – both old and new versions.

Posted on by Larry

A detailed look at the speed differences in exporting different versions of ProRes from Adobe Premiere Pro CC 2019. Which should you use to save time?

Posted on by Larry

An illustrated guide to free software tools you can use to measure the performance of your computer system, with a focus on video editing.

Posted on by Larry

An illustrated and detailed tour of how the Digital Production Buzz will produce and webcast 27 live shows in 3.5 days direct from the 2019 NAB trade show floor.

Posted on by Larry

In this short video excerpt, Larry Jordan shows how to create Watch Folders in Adobe Media Encoder that can be accessed by multiple computers and a shared server to simplify video compression.

A detailed, illustrated look at the different media formats and shooting options with the Blackmagic Pocket Cinema Camera 4K, along with recommendations for best editing in different NLEs.

Adobe provides more details on what media codecs will be supporting in future versions of the macOS, as emailed to Larry Jordan.

Posted on by Larry

An illustrated, detailed tutorial on how to create Watch Folders in Adobe Media Encoder, with a special emphasis on using them to monitor media stored on a server.

A detailed comparison of compression speed and resulting file sizes for a variety of media compressed using Apple Compressor, Adobe Media Encoder and ffWorks/ffMPEG

A detailed series of tests comparing video compression speed using a high-end iMac vs. a new Mac mini running a variety of software. The results are surprising.

Here’s the best way to delete an Adobe Creative Cloud application from either Mac or Windows.

Posted on by Larry

Audio not recording? It’s a new preference in Mojave that you need to change. Here’s how.

Posted on by Larry

This session looks at key new features in Adobe Premiere Pro, Audition and Media Encoder in Adobe’s updates for Spring, 2019. Join host, Larry Jordan, as he illustrates the new DeReverb and DeNoise effects for both Premiere and Audition.

Details on Adobe’s latest updates to the audio and video applications: Adobe Premiere Pro CC, Adobe After Effects CC, Adobe Audition CC, Character Animator and Adobe Stock.

A detailed, illustrated tutorial on how to move sequences from Adobe Premiere Pro CC into Apple Final Cut Pro X.

Posted on by Larry

Codecs don’t last forever. This article details changes coming to apps and media in future versions of the macOS. This is important for anyone needed to access legacy media files.

Posted on by Larry

A step-by-step tutorial on how to create a disk image to preserve and protect media files recorded to a camera card.

Posted on by Larry

An in-depth review and tutorial of ff-Works, from OSBytes, for audio and video compression.

Posted on by Larry

A step-by-step tutorial to extracting a shorter video clip from a longer one, using Adobe Media Encoder; along with the ability to either transcode the new clip or match the settings of the source file.

Posted on by Larry

Adobe warns that older video codecs will not be supported in the future. Read what you NEED to know here.

Posted on by Larry

Adobe announces and releases significant updates to Adobe Premiere Pro CC, After Effects CC, Audition CC, Character Animator and Adobe Stock. Here are the details of the new features.

Posted on by Larry

Shooting and editing are essential to the production process. But, if you screw up the final compression, all the hard work that went before is lost. In this short video excerpt, Larry Jordan shows how to compress and automatically publish media files to social media.

Posted on by Larry

Shooting and editing are essential to the production process. But, if you screw up the final compression, all the hard work that went before is lost. In this short video excerpt, Larry Jordan shows how to optimize the compression preferences in Adobe Media Encoder.

Posted on by Larry

Instructions on how to turn off auto-updating in the macOS, why this can be a good idea and Larry Jordan’s thoughts on when to update after a new release.

Posted on by Larry

A first look at the new 1.4 release of Kyno, from Lesspain Software. Media management, transcoding and workflow software.

A detailed explanation of the different configurations for the 2017 iMac Pro, with recommendations on what to buy to optimize your system.

For many, video compression is a black art; but it doesn’t need to be. Discover the power in Adobe Media Encoder in this short video excerpt as Larry Jordan shows how to create a Watch Folder to automate compression.

For many, video compression is a black art; but it doesn’t need to be. Discover the power in Adobe Media Encoder in this short video excerpt as Larry Jordan shows how to add a watermark to a video compression preset.

Posted on by Larry

Specific preference settings you can change that will optimize the performance and operation of Adobe Premiere Pro CC (2018).

Posted on by Larry

The principle reason for using HEVC to compress video is to decrease the file size of the compressed file. But how does it look? In this First Look comparing HEVC to H.264 using Adobe Media Encoder, you’ll discover the answer.

Posted on by Larry

An in-depth look at a new application that allows creating custom keyboard shortcuts on an iPad which can control any application on an attached Mac.

News on Adobe’s latest product updates for Fall, 2017, for Premiere, After Effects, Audition, Character Animator, and Adobe Stock; plus Adobe Sensei. All with links.

← Older posts Newer posts →