Compression Settings for Audio Files
Here’s a cookbook for compressing audio files for distribution via the web. This assumes we want to create the smallest files with the highest audio quality.
Whether you use Apple Compressor, Adobe Media Encoder or any of a wide variety of audio compression applications, these rules all hold true.
BASIC RULES
You don’t really need to compress audio files. They are small when compared to video. However, the larger the file size, the longer it takes to download and web audiences today have a very short threshold for waiting.
Given that, here are some rules that can help you determine compression settings.
- The audio codec for MPEG-3 files is MP3.
- The audio codec for MPEG-4 files is AAC.
- Stereo files require double the bit rate (data rate) of mono files.
- MP3 files require double the bit rate of MP4 files.
- Video records an audio sample rate of 48,000.
- The Nyquist Theorem states that dividing the sample rate by 2 equals the maximum frequency response of an audio file.
- Normal human hearing goes from 20 to 20,000 Hz. Therefore, the maximum sample rate we need to cover the entire range of human hearing is 40,000 samples.
- The nearest common sample rate to 40,000 is 44,100.
- Human speech only requires a portion of the total range of human hearing; roughly 200 – 10,000 Hz. This means that for audio files that only contain people speaking, we need a sample rate of 20,000.
- The nearest sample rate to 20,000 is 22,050.
- We never need to worry about low frequencies when compressing audio.
CREATE MP3 FILES
For music files, use:
- Stereo
- Sample Rate: 44,100 (44.1K)
- Bit rate: 256 kbps
- VBR (Variable Bit Rate) encoding if possible, otherwise use CBR
For single speaker spoken word files, use:
- Mono
- Sample rate: 22,100 if your software supports it, otherwise 32,000
- Bit rate: 64 kbps (22.1K) or 96 kbps (32K)
- VBR encoding if possible, otherwise use CBR
If your spoken word file has lots of sound effects, incidental music and/or lots of stereo effects, use:
- Stereo
- Sample Rate: 32,000
- Bit rate: 192 kbps
- VBR encoding if possible, otherwise use CBR
CREATE MPEG-4 FILES
For music files, use:
- Stereo
- Sample Rate: 44,100 (44.1K)
- Bit rate: 128 kbps
- VBR (Variable Bit Rate) encoding if possible, otherwise use CBR
For single speaker spoken word files, use:
- Mono
- Sample rate: 22,100 if your software supports it, otherwise 32,000
- Bit rate: 48 kbps (22.1K) or 56 kbps (32K)
- VBR if possible, otherwise CBR
If your spoken word file has lots of sound effects, incidental music and/or lots of stereo effects, use:
- Stereo
- Sample Rate: 32,000
- Bit rate: 96 kbps
- VBR if possible, otherwise CBR
SUMMARY
While it is true that every file is different, these settings will work fine in most instances. Give them a try, then tweak as necessary.
As always, let me know what works best for you.
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2 Responses to Compression Settings for Audio Files
Hi Larry, I have appreciated your insightful teaching style and knowledge since… what? June 206. Wow.
I have to disagree, however about audio settings for Music Videos.
Heres the thing – my experience is that musicians seem to be able to “hear” the difference between .AAC and PCM. So what I have taken to doing is delivering them a Pro Res 422 with “uncompressed” PCM audio (48, 24, little endian, bitrate of 2,304 kbps. as opposed to AAC 48, 16, 124 kbps.
I wish I could export to h.264 (or Mp4) with PCM audio instead of AAC but Final Cut Pro X does not have that preset, right? I mean MP4 wrappers use AAC only?
I have tried tricking them but no go. The kicker is that they do not archive these files, they post ’em to YouTuBe and then delete them. We know what YouTuBe does to them but Musicians are a special breed. Like arguing with a 4 year old.
Keep Up the Great work, I hope your transition is a perfect fit.
Your Pal,
Philip
I meant June 2006 — Vol. 1 No. 1 of Edit Well (which I kept a Pdf of.