[ This is an excerpt from a recent webinar: “Video Scopes & Color Grading in Apple Final Cut Pro 11” which is available as a download in our store, or as part of our Video Training Library. ]
EXCERPT DESCRIPTION
A big challenge in color grading is how to handle a lighting color change during a shot. A typical example is walking indoors on a sun-lit day. In this short video, Larry Jordan shows how to keyframe a color change, along with how to make sure the actor’s skin tones remain correct.
How to Keyframe a Color Change in Apple Final Cut Pro 11
TRT: 4:04 — MPEG-4 HD movie
WEBINAR DESCRIPTION
The color capability of Final Cut continues to expand. If you’ve been wondering how to read the video scopes, what the color tools do, or how to make your images look better, this session is for you.
We’ll start by defining the basics, then take you deep into color correction and grading. We’ll also look at how to use LUTs, grading LOG and HDR media, and explain why two different computer monitors never show the same color.
Join Larry Jordan as he showcases the color tools and effects in Final Cut including:
Color grading is a vast subject. Final Cut has powerful tools to help you improve the quality of your images. This session shows how they work.
NOTE: This session doesn’t cover grading HDR media in an HDR timeline because viewing HDR requires HDR compatible monitors.
AUDIENCE LEVEL
This advanced-level session benefits from knowledge of how FCP works, but we’ll teach you what you need to know about color.
