When speed is everything, and distortion is not an option, normalization can wrangle all your selected audio clips and even out their audio levels in a heartbeat. This illustrated article explains how.
Media management in FCP X boils down to: its either in the library or it isn’t. And every time you import media, you get to choose where it goes. This article explains what you need to know.
NOTE: This Macintosh technique requires a Blu-ray Plug-in and BD-R or BD-RE Burner, both of which are sold separately. Without these, a Blu-ray Disc can not be created on a Mac. As Apple moves ever farther from supporting optical media, …
Delivered, maintained and updated via The Cloud, but stored locally, Red Giant Universe provides a wealth of high-quality effects and transitions in an easy-to-manage package at a very affordable price. A product review by Larry Jordan.
In this short video excerpt from a recent webinar, Larry Jordan shows the best way to import media from a camera, camera card, hard disk or iPhone into Final Cut Pro X.
In this short video excerpt of a recent webinar, Larry Jordan shows how to copy or move media, events and projects into new libraries. This technique is very useful for sharing projects between editors – Transfer Libraries – organizing files, or trimming libraries that have gotten too large.
An illustrated explanation of the Video Limiter filter, why and how it is used and the new settings which automate this process in Adobe Premiere Pro CC.
A first-look at ProStorage, long-term static-free cases for hard disk storage.
Step-by-step tutorials covering Final Cut Pro X, Motion 5, Adobe Media Encoder and product reviews written during Dec. 2015 by Larry Jordan.
A list of, and links to, the Top 20 tutorials on Larry Jordan’s website for 2015.
With the holidays upon us, time for something more fun using Final Cut Pro X: a moving, spinning star that reveals 3D text underneath it as it passes through the frame.
Its the holidays and time for something fun. Here’s how to create a fairly simple text and texture effect using Motion, some existing Library effects and two strategically-placed blend modes.
A detailed look from Larry Jordan at BRU PE, from TOLIS Group – software for archiving your files and media on LTO tape.
A look at the new H.265 compression settings in the Nov. 2105 update to Adobe Media Encoder and why they aren’t working… yet.
A detailed workflow, writen by Oliver Peters, explaining how to use offline and online media in Final Cut Pro X.
The new version of Adobe Media Encoder has some very attractive new features and the addition of support for H.265 means I have a whole new range of compression tests to play with. But, as Larry Jordan discovered during testing, the new version is essentially the same as the old version.
MovieCaptioner is low-cost, easy-to-use software for Mac and Windows which creates, revised and exports closed-captions to video. This product review explains how it works and what you need to know to add captions to your movies.
In this short video excerpt, Larry Jordan illustrates some of the new features in Adobe Media Encoder 2015 (Nov).
It sweeps floors! It shoot high-quality television! No, it isn’t a myth – its the Incredible Broom Cam! Get all the inside scoop here.
An explanation of why audio levels between compound clips and the projects into which they are placed don’t match when editing them using Final Cut Pro X.