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FCP X: Match Audio Between Clips

Here’s a great technique to match the sound of your audio between clips using Final Cut Pro X. Best of all, its fast!

FCP X: Clip Skimming

There’s a new feature in Final Cut Pro X 10.0.3 called “clip skimming.” This technique explains how to use it.

FCP X: Edit a Montage to Music

Editing a montage of still or moving images to music is a typical editing activity. In this tutorial, I want to show you a technique you can use for your own projects.

Adobe Story: Getting Started

Adobe Story can help you write, plan, collaborate, and schedule your next production. This video tutorial shows you how to get started. You can access Story from anywhere via a web browser, or as part of the Adobe Production Premium suite.

Photoshop: Retouch Video

Photoshop is legendary for fixing image problems. But the Extended version can also retouch video, as this video tutorial illustrates.

FCP X: Create a Backtime Edit

Sometimes, you need to edit a clip into the FCP X Timeline based upon the Out, not the In — think sports highlight. This type of edit is called a “back-time edit;” because it edits from the “back” of a clip. This technique shows you how.

Motion 5: Publishing Effects to FCP X

The open secret of Final Cut Pro X is that all its effects are Motion 5 projects. This means that you can use Motion to create custom effects for use in Final Cut. This video tutorial shows you how this works.

Compressor 4: Compress Video for YouTube

Compressor scares a lot of people. However, if all you want to do is compress a video for YouTube, Compressor makes the process very easy. This technique shows you how.

FCP X: Manage Events and Projects

This article explains how Final Cut Pro X handles Events and Projects. It explains where they are stored and how you can make them active, or inactive.

FCP X: The Case of the Missing Preference

With the release of FCP X: 10.0.3, Apple made a subtle change to both transitions and preferences. In this tutorial, I show you what the changes are, and how they affect the way we apply transitions.

FCP 7: Send Projects to Audition

Although Adobe Audition and Premiere Pro are designed to work smoothly together, that doesn’t mean you are limited to only using Premiere Pro with Audition. In fact, there is a very nice, very fast way to move projects between Final Cut Pro 7 and Audition, which I want to show you here.

Audition: Multitrack Editing

In this tutorial, we look at multitrack editing in Adobe Audition. Starting with how to create new projects and import files, to how to edit them in the Timeline, this step-by-step training explains what you need to know.

FCP X: Importing iMovie Projects

iMovie user can easily move both iMovie Projects and Events into Final Cut Pro X. This tutorial explains how to do it.

Audition: Recording an Interview

Recently, I’ve started working more with Adobe Audition, which is part of their Production Premium suite of products. Audition is similar to ProTools and Soundtrack Pro in that it handles audio recording, editing, and mixing.

QuickTime: Display Closed Captions

Here’s a quick tutorial on how to display, or hide, closed captions in QuickTime X or QuickTime 7.

QuickTime: Display Chapter Markers

Chapter markers were traditionally the domain of DVDs. However, both QuickTime movies and MPEG-4 movies for the web can also contain chapter markers, which makes navigating through a long movie a lot faster when you are trying to find a specific section to review. Here’s how to display them in QuickTime 7 and QuickTime X.

FCP X: Open in Timeline

Open in Timeline is a hidden menu item in Final Cut Pro X that allows you to modify a clip in the Event Browser without removing it from the Event Browser. This technique allows you to solve problems that are not easy to solve any other way.

FCP X: Understanding Optical Flow

Optical flow, and it’s less sophisticated cousin, Frame Blending, are techniques that Final Cut Pro X uses to smooth playback of extremely slow-motion clips. This tutorial shows you how to apply and use them in FCP X.

FCP X: The Limiter Filter

The purpose of the Limiter filter in FCP X is to make soft audio louder while preventing the louder passages from distorting (which happens when audio levels exceed 0 dB). In fact, when used properly, the Limiter filter virtually guarantees that your audio won’t distort; as this article explains.

FCP 7: Send Files to Adobe Audition Using OMF

The best way to improve the quality of your picture is to improve the quality of your sound. However, what that means in real-life is moving files from your video editing software into audio editing software.