273: Use HDR Media in Final Cut Pro
273: Use HDR Media in Final Cut Pro
$19.97
With all the different HDR video formats, it’s easy to get confused. If you want to learn how to make your images look better, learn more about these high-end formats or have been working with HDR for a while and still have questions, this session is for you.
Presented: July 18, 2019
Several times each month, Larry Jordan presents a live, on-line, video training webinar discussing issues related to video editing and post-production. For a list of upcoming webinars, click here.
Duration: 58:04
Download file size: 814 MB (ZIP file)
Format: QuickTime movie (HD: 1280 x 720)
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SESSION DESCRIPTION
High Dynamic Range (HDR), RAW, sLog, vLog, HDR, 10-bit, 12-bit…
With all these different high-end video formats, it’s easy to get confused. How do you work with them in Final Cut Pro X?
Larry Jordan was asking himself those same questions. So, he borrowed some cameras to experiment with, then shared what he learned. His goals for this session are to explain:
- Key definitions and core concepts behind HDR media
- Tips for color grading media in FCP X
- Demonstrate how to work with RAW, log and ProRes footage in FCP X
- Showcase key tools you need to know to successfully use HDR media
If you want to learn how to make your images look better, want to learn more about these high-end formats or have been working with HDR for a while and still have questions, this session is for you.
AUDIENCE LEVEL
This is an advanced-level session. Some knowledge of Apple Final Cut Pro X and video formats in general will be helpful to make the most of this session. This is delivered as a QuickTime movie, no other software is required to view this presentation.
CHAPTER MARKERS
To help you quickly find the information you need, we include chapter markers in the QuickTime download to simplify navigation. Click here to learn how to display them in your download.
CONTENT OUTLINE
- Welcome
- – HDR Perspectives
- – Agenda
- Core Concepts
- – HDR stills vs. video
- – Definition: HDR
- – Current status of HDR
- – HDR frame rates
- – Definition: Color Space
- – Color space examples
- – Definition: RAW file
- – How ProRes RAW differs
- – Linear vs. Log example
- – A simple LUT example
- – Definition: Tone-mapping
- Color Grading Tips
- – FCP X supports HDR
- – Pick the right project setting
- – HDR display limitations
- – Grading HDR in an SDR project
- Final Cut Pro X Demos
- – Agenda for demos
- – Create an HDR Library
- – Create an HDR project
- – Change preferences
- – Demo: R3D files
- – Demo: ProRes RAW
- – Demo: Broadcast Safe effect
- – Apply custom LUTs
- – Demo: vLog (Panasonic)
- – Demo: HLG vs. PQ vs. Rec. 709
- – How to display LUTs
- – Demo: Blackmagic Design ProRes
- – Locate Blackmagic LUTs
- Addendum
- – Demo: Range check
- – Demo: HDR Tools
- Questions
- – Shoot HDR for a Rec. 709 project?
- – Additional resources
- Summary