012: Killer Keys – Creating Great Chroma-keys in Final Cut Pro 7

012: Killer Keys – Creating Great Chroma-keys in Final Cut Pro 7

$9.99

In this session, Larry Jordan shows you step-by-step techniques to create good looking keys using Final Cut Pro. Then, we’ll explore the power third-party keying software provides to take your keys to the next level. Along the way, Larry will illustrate key points to keep in mind during production to help make your keys look great — from picking the right video format to picking the right background.

- OR -
This course is also included with our monthly membership plan, click below to learn more.
BECOME A MEMBER
or Login here

Presented: September 2, 2010

Each week, Larry Jordan presents a live, online, training webinar discussing issues related to video post-production; often focused on Apple Final Cut applications. For a list of upcoming webinars, click here.

Duration: 59:53
File size: 96 MB (ZIP file)
Format: Quicktime movie (1280 x 720)

Important note: After you complete the store checkout process, you will see a Download Link on the Order Confirmation page. This link will allow you to download the product to your computer. You are given two attempts and 10 days to download the file. Since this is a downloadable product, there will not be a CD/DVD mailed to you.

Tutorial Overview

Call it green-screen, blue-screen, or chroma-key, the technique of removing a solid color background so you can put your actors into an entirely different environment is a mainstay of effects today.

In this session, Larry Jordan shows you step-by-step techniques to create good looking keys using Final Cut Pro. Then, we’ll explore the power third-party keying software provides to take your keys to the next level. Along the way, Larry will illustrate key points to keep in mind during production to help make your keys look great — from picking the right video format to picking the right background.

NOTE: To make the most of this session, you should be running Final Cut Pro 6 or later. We illustrate how to use the keying software supplied inside Final Cut Pro, along with third-party plug-ins that provide even better results. Third-party plug-ins are sold separately.

Audience Level

This session is helpful to any Final Cut Pro editor looking to improve the quality of their keys. Familiarity with the Final Cut Pro interface, a basic knowledge of how to use filters, and access to green-screen footage will be helpful.

Content Outline

    • Define what chroma-keying is
    • Provide five “Keys to Great Keys”
    • Illustrate backgrounds that are easy, or difficult, to key
    • Show how to use video scopes to determine if your background is lit properly
    • Provide guidance on how to pick the right video format
    • Provide guidance on how to choose the best background surface
    • Provide guidance on choosing the best background color
    • Provide thoughts on staging talent in a green screen environment
    • Highlight a new business opportunity on creating green-screen backgrounds as part of PRE-production
    • Provide additional resources for learning more and getting the best software for your needs

  • Keying example:Show how to setup clips in the Timeline to create a key
  • Keying example:Show how to apply and use the Primatte RT keyer inside Final Cut Pro
  • Keying example:Show how to use garbage mattes to clean up a key
  • Keying example:Show how to use the BCC Chroma Keyer to achieve clean keys with bad lighting
  • Keying example:Show how to create a key with a natural-looking cast shadow
  • Keying example:Show how to use Primatte Keyer Pro 4 to create a clean key for an actress with blowing, blonde hair
  • Keying example:Show how to create a key with an actress and dramatic lighting
  • Keying example:Show how to create a clean key involving translucent material
  • Keying example:Show how to create a clean key with talent using phyical props (like a chair or counter)
  • Keying example:Show how to create a transition key using two colors (green and blue)
  • Keying example:Show how nested sequences can solve keying problems