With the release of the March, 2021, update to Premiere Pro, Adobe introduced a new caption workflow. You can create edit, stylize, and export captions and subtitles in all supported formats. Here’s an illustrated tutorial on how this new system works.
Last week, Dalet Amberfin announced significant updates to their Amberfin media transcoding software. I contacted Eric Carson, Director, Amberfin Product Strategy at Dalet to learn more about Amberfin and its new features.
This week, Signiant announced that it had acquired Lesspain Software, best known for it’s media asset management software “Kyno.” To learn more, I sent questions to Margaret Craig, CEO of Signiant. Here is our interview.
This week, Adobe released new versions of its video and audio applications: Premiere Pro, After Effects, Audition, Media Encoder, Character Animator and Premiere Rush. There is a LOT in these new releases. Here are the details.
Audio is a huge part of any project. But, all too often, we ignore the audio to concentrate on the image – only to discover that the emotional heart is missing. In this short video tutorial, Larry Jordan shows a variety of ways to set audio levels in Final Cut.
Audio is a huge part of any project. But, all too often, we ignore the audio to concentrate on the image – only to discover that the emotional heart is missing. In this short video tutorial, Larry Jordan shows how to add, modify, fine-tune and automate audio transitions in Apple Final Cut Pro.
Audio is a huge part of any project. But, all too often, we ignore the audio to concentrate on the image – only to discover that the emotional heart is missing. In this short video tutorial, Larry Jordan shows how to work with double-system sound – where the audio is recorded separately from the video – in Apple Final Cut Pro.
Audio is a huge part of any project. But, all too often, we ignore the audio to concentrate on the image – only to discover that the emotional heart is missing. In this short video tutorial, Larry Jordan shows how to work with auditions in Final Cut Pro to compare audio clips.
Most of us have heard of Apple’s transition from Intel CPUs to its own Apple silicon. But these new systems upend the established rules for how to configure a computer system for media editing. Here’s what you need to know about the new M1 SoC from Apple.
Here are almost two dozen hidden interface secrets to Final Cut Pro. How many of these do you know?
Auto-shrink is a new feature in Apple Motion that resizes text to fit within a specific area. This is a very useful tool when creating text graphics for Apple Final Cut Pro.
EditMentor is an online education tool that teaches the craft of editing. It is deep, extensive and well-thought-out. It is obviously a labor of love on the part of the EditMentor team, with a clear focus on education. Here’s a review.
Apple released Final Cut Pro 10.5.2 this morning. Here’s what’s new.
Trimming clips in Final Cut Pro takes time. Here are some techniques, tips and keyboard shortcuts to help you work faster. (These apply to FCP 10.4 and 10.5.)
Here are ten keyboard shortcuts that make Apple Motion a whole lot easier to use – and ones I wish I knew a month ago.
In this session, we step deeper into the 3D world of Apple Motion with a look at cameras and sets. In this short video tutorial, Larry Jordan shows how to move a single camera between multiple sets in Motion.
In this session, we step deeper into the 3D world of Apple Motion with a look at cameras and sets. In this short video tutorial, Larry Jordan shows how to add and frame multiple cameras to shoot a single scene in Motion.
In this session, we step deeper into the 3D world of Apple Motion with a look at cameras and sets. In this short video tutorial, Larry Jordan illustrates how to add depth of field (focus) to a camera in Motion.
In this session, we step deeper into the 3D world of Apple Motion with a look at cameras and sets. In this short video tutorial, Larry Jordan shows how to add a camera to a Motion project, then illustrates the difference between a framing camera and viewpoint camera in Motion.
Everything in production was perfect – except someone wore the wrong color. How do you “fix it in post” in Apple Final Cut Pro? Here are two methods: Color masks and the Hue/Saturation Curves. One of them is CLEARLY better!