A video interview with Bram Desmet, CEO of Flanders Scientific. He shares his comments on the future of HDR displays, new announcements from FSI and thoughts on monitoring 12K video.
A video interview with Karen Chupka, incoming EVP of the NAB Show. She comments on taking over the show from the legendary Chris Brown, her trade show background and her thoughts on the future of the NAB Show.
A video interview with Chris Brown, EVP of the NAB show for 30+ years. He comments on this year’s show, his strongest memories of the last 30 years and his transfer of the show to Karen Chupka prior to his retirement.
A video interview with Dan May, President of Blackmagic Design – US – on their new announcements at the 2024 NAB Show, including cameras and DaVinci Resolve.
A video interview with Francis Crossman, Principal Product Manager for Premiere Pro at Adobe Systems, on their new announcements at the 2024 NAB Show, along with comments on the impact of AI..
A video interview with Sam Bogoch, CEO of Axle AI, on their new announcements at the 2024 NAB Show, along with his thoughts on the impact of AI on media.
Here’s a list of the companies we are interviewing at the 2024 NAB Show along with links to watch them.
Last week, I asked readers to write about web services they found useful in video editing. Here are two reports on what works.
CommandPost is an indispensable tool for Final Cut Pro. One of its key features enables a scrolling timeline. However, this feature can conflict with the latest version of Final Cut. Here’s what you need to know.
A secondary color correction adjusts the color of something in the frame – like changing the color of a shirt. In this short video, Larry Jordan shows how to create these in Premiere Pro.
One of the harder tasks in color grading is changing the look of a clip when the lighting color itself changes during the shot. In this short video, Larry Jordan shows how to use color keyframes to change the color grade during a shot using Premiere Pro.
LUTs are a color lookup table. In this short video, Larry Jordan explains what LUTs are, how to use them to change the color of your clips, and how to properly set the new Color Settings panel in Premiere Pro.
In today’s world of digital video, the Broadcast Safe effect (or Video Limiter in Premiere) is gathering dust in a corner. But, there is a BIG benefit to using it when you have a lighting problem to solve, as this tutorial illustrates. This trick works for all the major NLEs.
The shift towards more complex projects requires reevaluating rendering solutions. Integrating cloud-based render farms into VFX workflows requires careful planning and execution. Here’s a detailed guide to ensure a successful transition.
In this short video, Larry Jordan shows how to create and motion track a shape mask to change the color of objects in a frame. He also shows how and why to use the Broadcast Safe effect.
Masks hide things – even in video. In this short tutorial, Larry Jordan shows how to use shape masks and color masks to change the color of objects in a video.
In this short video, I show how to change the color of a single object in a frame. This is called a “secondary color correction.”
Just because your hardware is fast, does not mean that your software is optimized to take advantage of that speed. Premiere is fast. Your hardware is faster. Here’s a detailed look at real-world editing on Premiere Pro.
8K is coming. Not today and not tomorrow. But sooner than you expect. To get ready, you should first look to upgrade your storage, then, once it is both big and fast enough, upgrade your computer. Here’s what you need to know.
3D 3D Video Polygons, from Luca Visual Effects, creates highly-adjustable eye-catching 3D effects and transitions that push the boundaries of 3D in Final Cut Pro.