NOTE: In a separate article, I illustrate the same process using Premiere Pro CC (2014).
Recently, I went on a safari into the wilds of Africa to shoot video of big game. (Well, um, that story sounds a whole lot more interesting than “I purchased this single stock footage clip.”)
As you can see from the Inspector, this is a 4K R3D file. The shot consists of a giraffe walking into the center of the road, then turning to look at the camera. This is a single wide shot, which works fine.
But it would work even better if I could cut to close-ups showing its feet and face. Except, how?
That’s the cool part. Because the frame size of my sequence is smaller than the frame size of the source media, Final Cut gives us some nice reframing options that won’t damage the image quality.
To start, I created a sequence at the size I want to use for final output, but in all cases, smaller than the size of the source image. (To make the differences in scaling really obvious for this article, I created an SD 16:9 project.)
Because I customized the Project settings before editing a clip into it, when I edit the giraffe clip into the timeline, Final Cut remembers and honors the changed project settings, without needing me to reconfirm them.
Using the Blade tool, I next edited this clip into the different shots I wanted:
For those clips that we want to leave as wide shots, we don’t need to do anything. Because, by default, Final Cut always scales clips to fit into the size of the Project. This means that we only need to change shots 2 and 4.
Put your playhead into and select shot 2. Open the Inspector and change Spatial Conform from Fit to None. This automatically sets the shot to 100% camera native size.
Using the on-screen Transform controls in the Viewer, position the shot as you wish.
Remember to click Done when the shot is positioned as you wish.
If you need to change the size of the shot (Scale), open the Inspector and adjust Transform > Scale as necessary.
IMPORTANT NOTE: To avoid damaging image quality, do not scale an image larger than 100%. Doing so makes the image look soft and “blocky.”
Make a similar adjustment for the fourth clip to “zoom into” its face. Remember to click the blue Done button when you are finished positioning the clip.
NOTE: The secret to this technique is changing Spatial Conform to None. This displays the image at its native size and adjusts Scale to suit. This makes this reframing process very easy.
The benefits to this technique are that you can easily edit a master shot into a variety of related close-ups quickly and easily.
The limitations of this technique is that you can’t change the camera position, nor can you adjust the depth of field or lighting as would normally occur when changing angles.
Still, this can be a really useful technique when you need something that you didn’t shoot.
Final Cut Pro X 10.4
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