Adobe Premiere Pro CC: Separate Audio Channels

Adobe Premier LogoRecently, I wrote an article discussing the new audio types in Premiere Pro CC (you can read it here). The problem with the new Standard audio type is that it works too well.

If you edit a stereo or mono clip into the track, the track automatically conforms to the number of channels in the clip. But… what if you don’t want it to conform the channels? For example, almost every interview I shoot is recorded “dual-channel mono,” where the host is on channel 1 and the guest is on channel 2 and both channels are supposed to be panned center.

From the point of view of Premiere, this looks like a 2-channel stereo clip which would get placed into one track. But it isn’t. I need separate control over each channel But, how?

NOTE: In this example, I have audio on channel 1, with no audio on channel 2. This type of clip is treated the same as a two-person interview clip where I need separate control over each channel.


Piece of cake. But you need to make these changes before you edit a clip into the Timeline. Once it’s in the Timeline, it’s too late.

In the Project panel, select the clip, or clips, you want to modify. (Yes, you can apply this setting to multiple clips at once!)

Then, choose Clip > Modify > Audio Channels (shortcut Shift+G).

This opens the Modify Clip dialog. Note that both audio channels (Left and Right) are assigned to the same audio track (Track 1).

To convert this stereo clip to a dual-channel mono clip, change the Number of Audio Tracks to match the number of audio channels in the clip. In my case, this is 2.

Next, set the Channel Format to Mono. What this does is tell Premiere that there are two channels of mono audio in the clip, rather than a single stereo pair.

Notice that the track assignments at the bottom have now altered from indicating a stereo pair to assigning each channel to its own track in the Timeline.

When you click OK, Premiere warns you that this setting will not affect any clips already edited into the Timeline. Click Yes.

Now, when you edit the clip into the Timeline, even though it may appear as a stereo clip, Premiere is smart enough to assign each channel to its own track so you can edit and adjust each speaker independently. Here, the Left channel is assigned to A1 and the Right channel (which is silent) is assigned to A2.


While, normally, an interview would have audio on both A1 and A1, in the case of this example, I have audio only on one channel and silence on the other. I would like to get rid of that second channel to avoid cluttering up the Timeline. (In point of fact, having a silent channel isn’t hurting anything, but it does take up space.) Because both channels are linked, clicking either audio channel in the clip selects both tracks of that clip in the Timeline.

To solve this, Option-click the channel you want to delete. This selects just the one channel, then press the Delete key.


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31 Responses to Adobe Premiere Pro CC: Separate Audio Channels

  1. jan fedorenko says:

    This is essential for news editing – all our pieces are dual channel mono – reporter track and interviews on one channel, bg on another. Now can we set up a sequence preset for this type of audio?
    Thanks so much!

  2. Tim Kolb says:

    You can also set this behavior in preferences for a new default setting if you don’t want to set this for each individual clip every time.

    This audio track mapping capability has been in Premiere Pro for so long that I can’t actually remember when it was introduced …maybe CS3.

    • Larry says:


      Thanks for the comment and the correction. In the rush to get the article written, I forgot that I was using these track mapping commands in Premiere CS4. Though the Standard track setting is much newer than that.


      • Tim Kolb says:

        Yes..the sequence track mapping has been undergoing substantial change over the last 3-4 releases, at times making adapting past version’s projects a bit of a challenge.

        The ability to remap a -clip’s- audio from stereo to mono pairs has been around for some time.

        I always remapped stereo camera audio to dual mono as soon as I could do it in Premiere Pro as I preferred Final Cut’s approach to how the audio was handled (at that time) on the timeline vs duplicating audio and “fill left” or “fill right” to create separate audio tracks from camera clips interpreted as one stereo audio track in older versions of Premiere Pro.

      • Jason says:

        Can you specifically go through the how you make this work globally in the preferencees,

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  4. Daniel Ramirez says:

    I encountered this problem after already laying down a large amount of tracks with audio into my timeline. What I’ve been doing to create the two tracks with the separate channels is copying and pasting the track then adjusting the desired audio channels with the audio channels option. It’s a tedious fix, but it’s working out. What are your thoughts on it?


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  6. Robert Dee says:

    Larry saves the day, again! I needed to edit audio in Premiere Pro CS5 as mono tracks this morning, and yay Larry, he provided the solution clearly. Using the Help function within PP CS5 revealed NOTHING, even choosing the “Online Community” search option.

    Clicking on’s link, I did find an Adobe page with good information. It’s at:

    But trying the search again within PP CS5 and even using Adobe’s non-intuitive terminology, the search came up empty. Adobe doesn’t seem to be investing much effort in their Help function [which makes me reluctant to invest in a newer version]

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  8. Oscar says:

    Your use of the words ‘tracks’ and ‘channels’ are often mixed up and thus make this tutorial very confusing….

  9. Thanks for the concise tutorial! Got me where I needed to be in minutes!

  10. Guillaume says:

    Hi, I have the almost the same problem but in my video MP4 file, I have 2 audio tracks and when I import it in Premiere, it only shows the track 1 (computer sound) but not the track 2 (my voice recorded with a mic)
    I used Action! to take a video of my computer screen

    Windows 7 64bits, Premiere Pro CS6

    If you could help me, I would be so grateful 🙂

    • Larry says:


      Hmmm… I don’t use Windows, so it may be a Windows issue. However, can you hear both channels when you play the clip outside of Premiere?

      Have you tried separating the two channels in Premiere using the Extract Channel menu command?


  11. amanda says:

    Thanks for saving the day yet again Larry! As a home based professional documentary filmmaker and editor, I can’t thank you enough for all the scrapes you’ve got me out of over the years. Your advice, knowledge and endless generosity, in my opinion makes you a living legend. Thank you!

  12. Emily says:

    Thank you so much Larry. If it were not for yourself and other lovely people who have posted tutorials on forums I would have thrown in the towel on Adobe PP CC. I wish I could go back to FCP 7, but thanks to you at least I can attempt the transition! You are a gem. Also, this page (not sure about others) is formatted perfectly so I can save this info as a PDF if ever I need to go offline. Brilliant.

  13. Pelle says:

    Hi Larry,

    Thanks for the tutorial. One thing I couldn’t find is:

    What if you have 100 clips, some with 2 audio tracks (for inserts or wide shots) and some with up to 6 audiotracks (for interviews with multiple people). If I modify them at the same time with ‘number of audio tracks: 2’ it will delete the rest of the tracks in the clips that have more channels.

    How can I approach this problem? In FCP7 I would just dump it in a sequence and al the tracks would be (dual)mono.

    Another question that raised: why would’t you always use mono tracks? Except for music and/or sound fx I wouldn’t know why the rest would be stereo. Is it only for cleaning up track space?

    Hope to hear from you. (I’m on PP CC 8.2.0)

    Best, Pelle from Amsterdam

    • Larry says:


      Yup. This is a problem. Premiere assumes all 2-channel clips are stereo, which is why we need to change them before editing them to the Timeline, because once they are edited, the tracks can’t be changed.

      The only solution is to group your clips into two bins: one for 2-channel and one for 6-channel. Then, you can quickly fix all the clips in each bin, without losing any audio channels.


  14. Julius says:

    Thanks Larry

    As I am making the switch from FCP (7) to Adobe Prem CC this is invaluable.

    Is it possible to make a sequence preset that forces the clips to have this ‘dual mono’ type of audio track or do you need to manually change the video clips themselves each time before you add them to a sequence?



  15. Tate says:

    Perfect explanation – thanks, from an FCP7 refugee trying to figure this aspect out.

  16. Andry says:

    This article was really useful. I spent almost one hour trying this before reading this page. Thank you very much! 🙂

  17. Paul says:

    I have a clip that contains stereo audio. Track 1 is left panned, track 2 is right panned. I would like to bring this into a Premiere sequence as two tracks with the panning remaining the same. I can bring the audio in as two tracks but it pans audio down the center. Can someone help me?


    • Larry says:


      Easy. Select each clip, one at a time. Go to the Effect Controls panel and twirl down the audio arrow to reveal the audio controls.

      Slide the Pan slider to the left, or right, as needed for each clip.


      • Paul says:

        Thanks for the quick reply Larry. I have been able to take two mono tracks and pan them left and right using both your method and a couple of others. And I can hear that the panning has worked. But when I export an OMF to my ProTools mixer (including checking the “include pan” box the mixer does not get the panning info on his end. I’ve tried a number of tests and the results have always been the same. The audio mixer is getting my two tracks panned down the middle rather than left and right.

        I’m using PP CC 2015 and my mixer is using Pro Tools 11.

        Any help you can suggest would be greatly appreciated.

        • Larry says:


          Hmmm… no suggestions. Most mixers would prefer to control the pans themselves within ProTools.

          My guess is that Premiere is exporting the OMFs to match the track setting, rather than the clip setting. But I don’t know if it is possible to override that.


          • Paul says:

            Well when I export a stereo track out of Premiere Pro Tools sees it as 2 tracks panned left and right. I just wish I could work with two separate mono tracks in Premiere that I can pan left and right.

            One other oddity is that when I export an OMF including an audio dissolve on a stereo track Pro Tools sees the duration of the dissolve as mono while the rest of the track is stereo. Weird stuff.

      • Paul says:

        Thanks for the quick reply Larry. Your solution works fine when I’m working in Premiere. I can hear that the two tracks have been panned left and right. But when I export an OMF (and have checked “include pan”) and my audio mixer imports the OMF into Pro Tools the panning info is gone. The track appear in Pro Tools as mono (panned down the middle). Is this a bug or am I or my mixer doing something wrong?

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